A woman from the street came in laughing from the cold. It was funny to see her with her black hair blowing all about her face. Her face was red. Red from the cold, red from the laughing, red from the rage that fueled that laughter. There are funnier things than a woman like that, but, well, she was the only one we got to look at that afternoon. Her name was some kind of long. It was Magnifica Angelica something at the end.
My story has a strange shape to it. It has a beginning and middle and, of course, I need not tell you that it has an end because it is the nature of all things to end, especially stories. But this story . . . well, it bunches up in places and twists upon itself in ways that no good story should. The sharpness of its arcs flare and wane in unexpected places because it is a story made of other stories.
I hadn’t heard from Miles for several months, when he wrote if I wanted to get together for lunch. Of course I did, and several days later I met him at a noisy, cheerful restaurant at South Bank. It was early February, London still somewhat dazed by the heavy snowfall that had recently paralyzed the city. The Thames seemed a river of lead. A black skim of ice made the sidewalks treacherous.
Mist flowed through the Tulgey Wood like treacle, slow and thick and unyielding. Squeaks and muffled chitters came from the underbrush as rabbits, foxes, and adolescent toves that hadn’t sensed the weather changing were caught and drowned in the gray-white mire. It would clear by noon, burnt off by the sun, and then the scavengers would come, making a feast of the small mist-struck creatures.
Sigmund came back to himself after a gray interval of unknown time, hunched in the yellow vinyl booth of an appallingly bright diner, his head aching from the night’s exertions. His partner Carlsbad sat across from him, drawing no attention at all, which struck Sigmund as strange even in his exhausted state. Carlsbad was a human-shaped figure, but he was unclothed, his face was entirely featureless, and he was composed of a viscous-looking black substance instead of flesh.
Rudolfo’s Gypsy Scouts found the metal man sobbing in an impact crater deep in the roiling smoke and glowing ruins of Windwir. He crouched over a pile of blackened bones, his shoulders chugging and his bellows wheezing, his helmet-like head shaking in his large metal hands. They approached him silently, ghosts in a city of ghosts, but the metal man still heard and looked up.
My name’s Irit Ziv. I have a low-rent apartment in the East Village that I used to share with my girlfriend, Shirley Chen. It’s April now, and Shirley died four months ago. Ever since then, I’ve been visiting Ma and Pa’s flat in Brooklyn Heights a lot. An awesome spot, with a full view of lower Manhattan. The trees by the river are turning green. I’m a grad student at NYU, trying to finish a PhD thesis in the physics department. Physics was probably a bad choice for me, but it’s too late to change.
Eleanor Tolliver’s heels clicked on the sidewalk—click click, click click, like a cantering horse, if a horse could canter in size seven and a half shoes. It was odd, this lopsided step, in a woman whose lavender suit had been bought last week at Lord & Taylor. Really, she admitted to herself as she clicked down Elm Street, she should not have bought the narrows. The left shoe, in particular, pressed against her corn and produced the cantering gait we have noticed.
Dragon brides are notoriously difficult women. We have lived with dragons, after all, those strange and terrible animals with their curiously human eyes, and some of us come back down from the broken mountains with their hisses still in our ears. I was taken by the green dragon of Mahr when I was fifteen, and it was a full year before my lord brought me back down. Forty years would pass before I would come to those steep paths again.
At rest, coiled up, Michael’s mother is about the size of a riding mower. Michael’s living room is not much bigger than her.
With a shudder, she rises. Her little piston feet march, pulling her out of her coil. Lifters above the feet kick out like dancers in a line. She snakes into the kitchen. Julie shrieks in horrified delight. Their mother opens the refrigerator. Julie and Michael watch as she prepares them lunch. She nudges them into chairs at the table. They haven’t eaten at the table in a long time. Maybe she’s getting better.