I knew she was there. Lenet believed she was stealthy, and would perhaps have been correct, had I not been the cat of the Duke’s Theatre for four long years. All the sounds that grand old building could make were known to me . . . including the sound of a barefoot Cait Sidhe girl stalking the rafters like the ghost of Hamlet’s father. The footsteps stopped above my head. “Rand,” Lenet hissed, voice pitched low to keep it from carrying to the audience below.
“There’s a dark side to sloths,” she said, using her straw to plumb the ice at the bottom of her glass, flicking red-blonde hair out of blue-blue eyes. “Sometimes they go to grab a branch, but accidentally grab their own arm, and then fall to their deaths.” “Because of the mossy fur?” I guessed, also guessing at the best way to put my hand onto hers on the bubbled-glass patio table. I could see her suntanned legs underneath and it put sparks under my skin.
Looking up, Matthew saw pictures in the ripples and dimples of satin as if they were layers of clouds over Munson’s Hill. There, in the far corner: That drape looked like one of Mr. Venable’s cantankerous swans. And just overhead was the familiar lumpy profile of Mr. Krohn the wheelwright, mouth yawning wide. Matthew grinned at the thought of fat Mr. Krohn wedged into this narrow space.
On the third day of the sightseeing trip, among walrus-laden icebergs, they run into slurry. At the fore, Skipper sticks a boat hook into the water. “There are plenty of critters here,” he says. “It’s like playing grab bag. You’ll always catch something on the hook.” He thrusts the boat hook up and down a couple of times, stirs it in the slush, and pulls it out again. A transparent little rag is impaled on the tip.
Everyone has secrets. Even me. We carry them with us like contraband, always swaddled in some sort of camouflage we’ve concocted to hide the parts of ourselves the rest of the world is better off not knowing. I’d write what I’m thinking in a diary if I could believe others would stay out of those pages, but in a house like this there’s no such thing as privacy. If you’re going to keep secrets, you have to learn to write them down inside your own heart.
The scent of fresh lilacs and the boom of a cannon shot muffled by distance prefaced the arrival of the rabbit hole. Louisa jerked upright in her seat, and her book fell from her lap to slap against the cold pavement of the station floor. Dropping a book would normally cause her to cringe, but instead she allowed herself a spark of excitement as a metal maintenance door creaked open on rusty hinges. Golden light spilled out onto dazed commuters. Was this it? Was this finally it?
I am ugliness in body and bone, breath and heartbeat. I am muddy rocks and jagged scars snaking across salt-sown fields. I am insect larvae wriggling inside the great dead beasts into which they were born. Too, I am the hanks of dead flesh rotting. I am the ungrateful child’s sneer, the plague sore bursting, the swing of shadow beneath the gallows rope. Ugliness is my hands, my feet, my fingernails. Ugliness is my gaze, boring into you like a worm into rotting fruit.
Even once a month, Arceneaux hated driving his daughter Noelle’s car. There was no way to be comfortable: He was a big old man, and the stick-shift hatchback cramped his legs and elbows, playing Baptist hell with the bad knee.
She had never intended to be a nineteen-year-old virgin. She wasn’t opposed to the idea of sex, didn’t think the simple act of having sex with someone had to be a big deal, and sure, she went to Mass and knew what the priests taught, but she figured God was actually a lot less concerned about that sort of thing than they were. She just hadn’t ever wanted to badly enough.
The egg of the gorgonoid is, of course, not smooth. Unlike a hen’s egg, its surface texture is noticeably uneven. Under its reddish, leather skin bulge what look like thick cords, distantly reminiscent of fingers. Flexible, multiply jointed fingers, entwined—or, rather, squeezed into a fist.