Science Fiction & Fantasy



Feature Interviews


Interview: Angélica Gorodischer

Once at a friend’s house I saw a book called The Martian Chronicles. How odd, I thought. I opened it and I was trapped. I want to clarify that Ray Bradbury was never one of my favorite authors: He’s a little soft, kind of romantic, and, worst of all, moralizing. But The Martian Chronicles is a great book. And looking for similar things, I found the great writers of the 1950s and later.


Interview: Philip Pullman

Oh, brutal punishments—eyes being pecked out by birds, people being put in barrels full of nails and rolled downhill, or sent out into the stormy sea in a ship where it’s going to sink. Things like that. But there’s always a principle of justice underneath it. It’s always the bad people who get punished, and it’s always the good people who get rewarded. So it’s not gratuitous, it’s not horror for the sake of horror.


Interview: Lois McMaster Bujold

Q: To what extent do you think the future depicted in the Vorkosigan Saga might actually come true? A: In bits and pieces, I think it will. The space travel part I think is entirely bogus at this time. There’s no reason to believe that we will ever have cheap, easy interstellar travel. Other parts of it—usually the parts that I concentrate my plots on—are more realistic: the biology, the biotechnology, the genetics, and the genetic engineering, they’re more grounded.


Interview: Steven Erikson

Some people on the Malazan Empire fan site were sort of saying, why go for something where we know what’s happened? My response would be you only think you know what’s happened. One of the things I’m pushing for is the notion that history is not an accurate portrayal of anything at all.


Interview: Daniel Handler (a/k/a Lemony Snicket)

I was in my early twenties, and a friend of mine made me some Lemony Snicket business cards for my birthday, and I used to give them out at bars, and I used to write long, rambling letters to the editors of newspapers and sign them “Lemony Snicket.” And so then years later when I started writing for children, it occurred to me that it would be fun to write them and publish them under the name of the narrator rather than the name of the author. And then I had this name lying around gathering dust.


Interview: Cory Doctorow

Pirate Cinema was inspired by a legislative event in the United Kingdom, where I live. In 2009, they introduced legislation called the Digital Economy Act, which includes something called “three strikes,” which says that if you’re accused—without proof—of three acts of copyright infringement, you and your family get disconnected from the internet.


Interview: Tad Williams

For me, any book I’m writing is also a chance to get in and research and read and learn things that I maybe only knew a little bit about before. So one of the fascinating things about researching heaven and hell is, of course, the fact that there are so few descriptions of heaven, because most people can’t really explain what it would be like beyond a couple of sentences, whereas hell is quite often personal.


Interview: Junot Diaz

When you look at a lot of science fiction novels they’re asking questions about power. There are questions about what it means to have power and what are the long-term consequences of power. When you think about the Dune novels—the original Dune novels start out as this Machiavellian fix-up—the battle between these houses—but they turn out to be a very troubling meditation on what it means to take over an entire civilization and set it on a certain path.


Interview: Terry Brooks

[Wards of Faerie] is the first in a trilogy that I have been thinking about for quite a bit of time. It’s in the future of the Shannara world, not in the prehistory where I have been working. It is a direct sequel to the High Druid set of books, and it’s about a topic that has been discussed ever since I wrote Elfstones back in the day—1982 or whatever it was when it was published—about the Elfstones themselves, which were forged in the ancient world of Faerie before humans, and nobody knows what happened to them.


Interview: Alastair Reynolds

[Blue Remembered Earth] is a big departure for me. It’s my attempt to get back to something a little bit closer to the present in terms of the way I think about science fiction. So it’s a novel which looks at where we might be in a hundred and fifty years in terms of going out into the solar system, going back to the moon and Mars, but also looking at the Earth, the kind of trends that we might expect to see over the next century and a half on our own planet—things like artificial intelligence, genetic engineering, and ubiquitous surveillance technology.