by Robyn Lupo
The birth scene was the one that Ann and I had the most trouble with. I wanted to write something abstract and blurry in the way that writers often do when we want to dodge details, something like “Time started to fade as she became preoccupied by her senses, and sometime later . . . “ And Ann was like, “Yeah, no, that’s not what birth is like.” She’s done it twice, so she won the argument.