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Everyone hears Hunger die on the radio, and no one can do anything about it. His mayday is admirably calm for someone who is burning. He’s breathing heavily, but he doesn’t betray any fear. It’s a textbook radio transmission, the kind the other firefighters hope they could make if they were trapped and blind in […]
Everybody gather round the bus, now! Thank you please. Sir, beg you, don’t try to pick the trumpet flowers. You might cause damage. Yes, sir; me know say you paid for an all-inclusive tropical vacation here on the little nipple of mountain top that is all left of my country, but trust me. Some things you don’t want all-included. Not since the sea uprise and change everything. Things like trumpet flower bushes.
. . . and then the second tone enters, high and fierce, the waves rising, a sudden spasm of hail scattering across the deck like a shower of pearls . . . a tone like a moan that vibrates through the ship, down through the cabins lined in red like satin jewelry boxes, those elegant little coffins, and down again through the vessel’s bowels and down through the vast imponderable weight of water its icy knifelike blackness just on the edge of freezing . . .
You never expect to meet one of the refugees. You aren’t a scientist or a politician, you’re a middle school history teacher. The story of the refugees from a destroyed parallel Earth—security camera footage of dozens of bedraggled people appearing through a shimmering section of air not far from Cheyenne Mountain in Colorado—should fade into the background of your life like every other major news story and tragedy, present but mostly forgotten.
When they ordered me down off my pedestal, I had nowhere else to go. Life as a statue is easy. They make you ascend the pedestal, turn you to stone, remove your ability to move, and leave you to watch the turn of the seasons in a world you cannot touch or care about, anymore. You can only stand in the public garden where all the convicted are placed, and you watch with dull and distant interest at the visitors who stroll past.
Try to picture the scene, Cybil, the same way I did when I got the call. Christmas Eve; two cops standing in a stinking motel room. Blood on bare white sheets, and a broken syringe, and a man. My brother. Whatever sounds he made, that got the neighbors to call the cops, they’re done now. The overdose is over. He hasn’t died. He won’t, tonight. He’s sick, crying, begging—probably wishing he had died, now that two cops are standing over him.
Besides the vedma who lived behind the stove in steam room three, the banya in Grand Lake Plaza was the same as any other budget day spa on Chicago’s West Side. It had deep-tissue massages and signature facials, plus day passes for the communal baths and steam rooms. There was a cucumber water dispenser in the lobby, and a little sign on the front desk that invited guests to “nama-stay a while.” The robes and slippers were cheap, scratchy polyester.
The cardboard sign read, “HOPELESS, ME AND MY SISTER NEED MONEY FOR SHUTTLE BACK TO VENUS.” The word “hopeless” should have been “homeless” but because Vida couldn’t write in Hangul, she dictated the words to Menino instead. She blamed the mix-up on her outdated translator, which began acting up ever since she arrived in Seoul. “People will get it,” Menino argued as the escalator descended to the first level of Chungmuro Metro Station.
Horses were the most unreliable, most unfortunate creatures ever to walk the Earth. And yet, Ricardo was immensely sad that his was gone. He and his pretty tamed Mustang mare, Bandita, had been back and forth across the west for six years, and now she’d taken a bad step—a hole, a sharp rock, he hadn’t been able to figure out which—fallen down a hillside, and broken not one but two legs. Traveling on horseback through the Rockies at night, accidents happened.
The day the dMods shut down Skeleton Caves, Esko put on her VR goggles and slipped into the Whukai space colony’s main chatroom to figure out what was going on. All the Whukains who made their living off the popular Terran MMORPG, d’Artagnan, had the same idea. Beside her, on top of her, avatars logged in—an absolute pandemonium of photorealistic, 8-bit, anime animals and humanoids and everything in between.
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