The dancer switches the camera on as his ship falls into orbit around the black hole; the opening image of his unmuscled chest squeezed beneath translucent polyester blasts out toward a thousand points of watching light. He’s shaved his body for the first time in his life, the nicks of the razor lingering in little scabbing cuts. He hits the music.

The Map Sphere consists of thirteen stellar sails, circular in shape, arranged asymmetrically around the host star. They are easy to miss but look closely and you will see them: specks against the dark, clustered in no more than thirty degrees of arc. They are not really a sphere, this is true. Their total power production is so low you would be forgiven for doubting their function.

We saw her staggering down the promenade, gills flaring as she sucked for the gods’ aether that no longer fueled her breathing. By her gasping breaths we knew the god had moved on, swimming the invisible aether to another, leaving her gasping in the void as she fell back into the strained, recycled, and slightly fishy-smelling air of the space station.

“This is it,” says Sister Auralee. She stamps on the ground beneath them. “This is where we’ll plant the church.” The turf yields to her bare feet, warm and spongy like bruised flesh. Grass peeks between her toes. She smells moisture, the tang of fibrous peat deep below, a thousand years of bones and dead leaves packed into the dirt.

Baba’s skin splits open with the sound of thunder. A parent’s intuition, he says, switching on the news. A ticker tape warning runs across the screen telling us to leave, leave, leave. The sky over our home is cracking but Baba will not go. He runs up to the roof instead and grows larger than I ever knew him to be.

A scream rises from the bush. One last call to the living: a warning of pain. Katarina’s heard that same sound more times than she’s had hot dinners but still a ribbon of unease unfurls in her gut. She sets her cleaver down for a moment, shifting from one foot to the other.