Two things were wrong with the Spasskaya assessment. The first was the painting: a tiny square in a simple frame, something I barely noticed at the time, but which would go on to cause us so much suffering. The second was the woman. Wailing greeted us when we arrived, almost at midnight. Assessment teams had to come without warning. Snow fell in great marching waves, helpless in the hands of the wind off the Moscow River.

It’s midnight and I can smell the new moon through the cracks in the concrete. This organism in my womb has heightened my senses in unnatural ways. I can hear the Council’s hushed arguments through the walls of my cell as they contemplate my death, their words carried by the night wind through the cracks in the concrete that constitutes the community prison. Old habits die hard. We’ve been on this planet for less than ten years and a prison was the first building we constructed.

“The death of Fire Station 10 affected me deeply. She had not been the smartest building, but she had been a friend for as long as I can remember. She was one story tall, the sole holdover from a much earlier time in the neighborhood—a piece of cinderblock nostalgia, of high-maintenance wood and plaster from an earlier age. Her brain and smart utilities were a retrofit, cobbled onto the cinderblock building later, in a clumsy addition on the back. When she was built, buildings had no minds.”

Once there was a prince of Ruyastan who was born in secret and hidden behind a false wall with a nurse to hush her and soothe and give suck. The prince and her nurse lived in narrowness for ten years, reading and watching the world through a crack no bigger than a needle. During those years, the dowager queen hunted down and killed, for jealousy, every one of the prince’s half-brothers and cousins, carelessly begotten in cities and villages and forgotten apart from notes in the royal genealogies.

Red slays the wolf, and another bursts through the kitchen window and bites her in the stomach. Glass gets in her hair. She smashes the chopping knife into its head, then runs out the back door, gulping for air. She doesn’t stumble. The wood must be at war with itself: Some trees let her pass, others scratch her. The howling recedes; the howling’s at her ear. Eventually her boots skid on marble and she falls, her heart a hammer against her ribs. She curls up to make herself small. At least I’m all bones. They won’t enjoy me.

Prince Aretas, son of the Ever-Hungry Queen, had gone into the forest. Yarchuse knew the truth even before ae coaxed the story from the prince’s bootprints bruising dry earth. Ae shivered, hand splayed above the trail. Dammit. Ae heard the prince’s naïve belief etched into his tracks: I can end this war without more death. I will speak to the Heart of the Forest and find peace. You foolish child, Yarchuse thought, clenching aer jaw against a spurt of panic. The forest would never relent.