The dead man was a nail-biter, tucked up in the back seat with old theater magazines and a water-stained Baedeker of Malta, his free hand still nearly white-knuckled around the haft of his oar. All the way from the North Shore, he had complained about her music until Delia popped the tape with a sigh and a protesting click of plastic and stopped the radio on the same alternative station she had spent her first few years out of college waking up to, and they passed the last few miles on I-95 peaceably enough on the White Stripes and the Black Keys and the Decemberists.

They gave me directions, not an address, and once I arrived, I could see why. There was no church here, no hall, no theater. I parked at the end of the dirt road by the lightning-blasted oak and peered toward the line of fir trees, fuzzed orange by the sinking sun beyond. I wondered, briefly, if this was a trick—lure the lady bartender out to the woods for nefarious purposes—but they’d paid half up front and the check had cleared, so I checked my professional demeanor in the rearview mirror, grabbed my bag, and got out of the car.

A dirty little backstreet in London, bordered upon the east by Tottenham Court Road and upon the south by Oxford Street. A dirty little backstreet, shadowed and unfashionable, the walls darkened with unattended soot, the windows blinded with grime. It was home to the backs of restaurants on one side and the rears of glittering retail emporia upon the other, and little else but for a couple of residences, a pawnbroker, and a bookshop. The sign over the window read “Vesperine & Daughter. Dealers in Rare & Antique Books” and, while this was true, it was also somewhere short of the whole truth.