Advertisement
Two days after my brother turned seventeen, he was gone, just like he’d guaranteed my dad. No sad goodbyes, no notes, no taking a knee in the hall before dawn to give me any good advice for high school when I got there. My mom’s story when anybody asked was that he’d moved out, he was old enough, he needed room, it was completely natural. My dad, if asked, would just shrug, knock back the rest of his can of beer, and say he hoped Rance was in the military.
Have you ever had an imaginary friend? Would you like to? Stowaways is a groundbreaking work of memetic art that, when originally premiered, raised an ethical controversy about the consensuality of artistic experience. In the 2060s researchers developed information-dense images that could deliver code to the biocomputational apparatus of the human mind, raising memetics out of the low-brow world of social media to the plane of high culture.
Marisol stared into the cave, breathing in the stomach-turning scent of decay that meant a dragon’s den was inside. I held my handkerchief over my nose and mouth so that I wouldn’t gag. “You’re sure this is the one?” “Definitely.” She scratched the stub of her left arm where it tucked into the metal hinge, just above where her elbow had once been.
This Brian has blue eyes. It’s too bad, because everything else is the same—the dark wavy hair and high cheekbones, the slight wrinkle under his right eye. Even his beard is combed in the same neat, identical rows. He was so close. So, so close. For a moment, I fantasize about choosing this Brian. He’s almost perfect. Hell, I even prefer blue eyes over brown ones.
Gather round while Dusty Boots continues this tale from the Great Sweet Sea.
The wide yawning sky. We stare at unfamiliar stars, seeking familiar patterns in their strange configurations. Here is a cup and there a bear. A queen reclined and all the fish in the endless seas. The universe is more boundless than we know. Maybe than we can know. We left everything behind for this, everything. We won’t return home—can’t return home.
I have heard it on the rumors that when the tale-spinner’s guild gathers in their secret places, a full half of them are sworn to never tell the truth, and the other half to never tell a lie, even if it mean their life. Being one of that trade myself, I can tell you that’s more or less the shape of it, and I tell you so that you will know that the tale I tell you now is true, just as it happened and just as it was told to me.
“It’s not working,” Tsayaba says. She shakes her head in disgust. “Kai!” “Just wait,” Ouma says, adjusting her scarf with shivering hands. “Yi hankali. Give it a minute.” It’s a cold, dusty day—harmattan season is so unpredictable now, even with the weather drones they balloon up from Zinder and Niamey. The sky is choked gray, so full of dust that the sun is a smeary yellow blob that makes Ouma think of a lemon candy.
Alta owns the Menagerie: a twin-gabled, brown shingled colossus. The whole house sits on the eastern edge of a square green park on Larkin Street, and is teethed with a row of white windows that overlook the street where Alta stands, having walked this early morning from North Beach to Russian Hill. Her reflection gleams in oiled blacks and white, caught in a larger dormer window.
Attached, please find your personal company-issued Breathing Apparatus, for immediate use within all corporate campus unfiltered air locations! This includes all outdoor locations, such as: the parking lots; the parking garage; the smoker’s hut; the paths between the buildings; the shuttlebus waiting area; the tennis court; and the corporate golf course.
Advertisement
This issue's cover art by
Grandeduc / Adobe Stock Image.
Advertisement
Advertisement
Advertisement