On the first floor of a Colonial-style house constructed last century out of planks of old growth cedar, a monster is dragging a woman’s husband from room to room. The specific path this monster takes will be evident the next morning from the gashes in the wood floors and the splattering of the husband’s innards upon the plaster walls. Blood on the ceiling. The woman herself is hiding in the upstairs bedroom in her closet, face buried in the nylon hems of her patterned dresses, hands to her ears, a washcloth between her teeth so she can bite down hard on something that isn’t her tongue.

When the Asphodel Queen decides she’ll die to save our people from her ex-husband’s tyranny, she commands me to build her a coffin, the very first in our world’s history. Her ageless face of ivory and emerald is water on a windless day; her stillness betrays nothing of her decision. As the Senate screams in sorrow, I am held by her imperial glare, the enormity of my task sinking in like sunlight on skin. “Me, Your Majesty? I’m but a humble craftsman.” Her voice rises above the growing din, as panic races through data-vines and across the crystal-network.