I am ashamed of the way I learned magic, and shame has made me a coward. I stay silent as Arul circles the body of the girl who has made bright flowers of her flesh, silent as he says, “Unorthodox interpretation of Lee’s Symphony of the Meteor. Backlash ultimately fatal. Time of unmaking . . . midnight, give or take a couple of hours. Stop staring, Myei. Write it down.” I write it down. The flesh column that was once a young girl stretches from the packed dirt of the kitchen floor to the belly of the longhouse above us, held high by stilts out of respect for the Mother River’s many moods.