Lightspeed: Edited by John Joseph Adams

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Fantasy Fiction

The Real Worlds

The possible worlds hung and spun in five-dimensional space like ever-twisting jewels of sand-brown and burgundy, frost and ocean. Mother, Father, and Amelia made their camp on a relatively flat piece of spacetime, stretched between three clusters of possible worlds. Mother and Father were careful campers. They’d drilled Amelia on the dangers of disturbing the possible worlds, so she watched them float and sway from the corner of her eye, making sure that her soft footsteps didn’t jostle them.

Starpoop

First off, your name. I remember that night clearly. We were tucking you into your big boy bed upstairs after reading from your new book about the joy of going potty. A lavender breeze swirled open the curtains, revealing the constellations and full moon over the fields. Solemnly you announced, “I am poopy from the stars.” A moment later you soiled yourself loudly for emphasis and Papa made a quick escape, because he always says that diapers are Not His Thing.

Monsters of the Drunken Shore

You are sitting on the third-floor balcony facing the beach when you see it breach the water. It rises upward with a snort of steam and sparks of flame, lifting its spiked reptilian head from the waves. It’s silhouetted in moonlight and bisected by the surface line. You know it’s too big to be there. You know because water that close to the coast never drops below fifty feet and this thing, breathing heavily in the ocean air and stretching its toothy jaw, must be all head and no body, but there it is.

Philoctetes in Kabul

Call me Philoctetes. My real name doesn’t matter, and I wouldn’t be allowed to tell you what it is, anyway. Security concerns, you understand. What you need to know about me is that I was a US Army Green Beret—one of the Quiet Professionals. Usually tasked with working with the locals in counterinsurgency efforts and the like. The stuff that doesn’t—or shouldn’t—make the newspapers.

Bestiary viventem

Finch’s dad always said a book could neither plow the earth nor feed a mare, so Finch wasn’t surprised when his secret bestiary turned out to be alive. He inherited it upon his father’s death in the summer of Finch’s fifteenth year. After burying his father in the meadow near his favorite horse’s grave, Finch read the handwritten will that wouldn’t have withstood the rigors of Law, but was good enough for them.

And All the Fields Below

It’s only after they’ve loaded the moving truck halfway with boxes that the parents finally notice Parker’s gone. They spend three days yelling for him. Mom waits the longest, wanders the farthest into the forest in the dark. Her voice is a plea, an agonized howl, an echo of the day Eli closed his eyes and never opened them again. “Parker,” she cries, “Come on, be a good boy. Please.”

The Bone-Gatherer’s Lament

The desert is full of bones. Sometimes, if you listen, the bones will speak. From a distance, the Bone-Gatherer may look like he is wandering, with his basket made of dried hyssop on his back and his arms and legs and head all covered in black-blue feathers that flicker like tongues of lightless fire. He may look as if he is merely roving—a nomadic traveler stretching his lanky legs, with no singular destination in mind.

The Belfry Keeper

I rang the Academy bell the first time, when both it and I were new-penny bright, and I rang it at the end, when it was gray-green with the centuries. I was the school’s mascot and its totem and its faithful servant. By night I cleaned the halls and read the chalkboard ghosts before consigning them to oblivion. In the library, I gently laid sleeping heads on tables and reshelved the books they’d used as pillows. It may be hubris for a soulless thing of brass to say so, but if the Academy belonged to anyone, it belonged to me.

Saturday’s Song

The seven siblings sit in a place beyond the boundaries of space and time, where everything is made of stories. Even them. Especially them. People are made of stories too, but only the versions of their stories that they tell themselves. Curated, limited, incomplete. Many of the stories people tell themselves are lies layered on partially-perceived things to give their lives structure and meaning. The siblings that sit beyond sit true, for they are made of all the stories that were, that are, that are to come.

The Sword, the Butterfly, and the Pearl

The butterfly sword of chaos is never the same twice. But then, neither is its wielder. The sword changes those who bear it, transforming, transfiguring. The temple where you found it was a ruin, roof caved in, snow-covered floor. When you took it from the statue of the smiling god in the temple, it didn’t look like a sword at all. It perched on that stone hand, a frozen butterfly, its forlorn wings outstretched.

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