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On the third day of the sightseeing trip, among walrus-laden icebergs, they run into slurry. At the fore, Skipper sticks a boat hook into the water. “There are plenty of critters here,” he says. “It’s like playing grab bag. You’ll always catch something on the hook.” He thrusts the boat hook up and down a couple of times, stirs it in the slush, and pulls it out again. A transparent little rag is impaled on the tip.
Everyone has secrets. Even me. We carry them with us like contraband, always swaddled in some sort of camouflage we’ve concocted to hide the parts of ourselves the rest of the world is better off not knowing. I’d write what I’m thinking in a diary if I could believe others would stay out of those pages, but in a house like this there’s no such thing as privacy. If you’re going to keep secrets, you have to learn to write them down inside your own heart.
The scent of fresh lilacs and the boom of a cannon shot muffled by distance prefaced the arrival of the rabbit hole. Louisa jerked upright in her seat, and her book fell from her lap to slap against the cold pavement of the station floor. Dropping a book would normally cause her to cringe, but instead she allowed herself a spark of excitement as a metal maintenance door creaked open on rusty hinges. Golden light spilled out onto dazed commuters. Was this it? Was this finally it?
I am ugliness in body and bone, breath and heartbeat. I am muddy rocks and jagged scars snaking across salt-sown fields. I am insect larvae wriggling inside the great dead beasts into which they were born. Too, I am the hanks of dead flesh rotting. I am the ungrateful child’s sneer, the plague sore bursting, the swing of shadow beneath the gallows rope. Ugliness is my hands, my feet, my fingernails. Ugliness is my gaze, boring into you like a worm into rotting fruit.
Even once a month, Arceneaux hated driving his daughter Noelle’s car. There was no way to be comfortable: He was a big old man, and the stick-shift hatchback cramped his legs and elbows, playing Baptist hell with the bad knee.
She had never intended to be a nineteen-year-old virgin. She wasn’t opposed to the idea of sex, didn’t think the simple act of having sex with someone had to be a big deal, and sure, she went to Mass and knew what the priests taught, but she figured God was actually a lot less concerned about that sort of thing than they were. She just hadn’t ever wanted to badly enough.
The egg of the gorgonoid is, of course, not smooth. Unlike a hen’s egg, its surface texture is noticeably uneven. Under its reddish, leather skin bulge what look like thick cords, distantly reminiscent of fingers. Flexible, multiply jointed fingers, entwined—or, rather, squeezed into a fist.
Beatrice’s heart skipped and skipped again, the tiny pistons clattering in their brassbound prison. Her ribs ached, and there were narrow darts of pain throughout her chest. She was dying.
This is the incomplete story of Paints, grandson of Paints No More. It begins in shadow. Like this: As far as reincarnation goes, I became a believer on the day that I found a dead mole in my Gran’s stuffy one-car garage. The old Volvo had obviously run the mole over, or at least its back half; the head and forearms still looked ready to rise and crawl away.
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