In winter, the snow comes down as softly as feathers. I have always loved to watch it. It’s different, of course, once it’s fallen: thick, heavy, difficult to walk through. In Boston, the snow plows come out almost as soon as the first flakes land on the sidewalk. They make narrow paths, and the snow piles up on either side, so when you walk to class, it’s between two mountain ridges, like a miniature Switzerland. That’s how Kay described it to me one morning, while we were sitting in my dorm room.
Forty-six minutes and a trickle of seconds remained before the end of the world—this world, anyway—and I was trying to evacuate the second-last client on my list. Some apocalypses come in with horns blaring and guns blazing and cascades of fire. Some apocalypses like to be obvious. This wasn’t one of them. The humans had various names for their world. My partner Rawk and I called it Seedworld 722.11.15, which was our superiors’ label. We’d seen a lot of Seedworlds perish, she and I.
Prince Aretas, son of the Ever-Hungry Queen, had gone into the forest. Yarchuse knew the truth even before ae coaxed the story from the prince’s bootprints bruising dry earth. Ae shivered, hand splayed above the trail. Dammit. Ae heard the prince’s naïve belief etched into his tracks: I can end this war without more death. I will speak to the Heart of the Forest and find peace. You foolish child, Yarchuse thought, clenching aer jaw against a spurt of panic. The forest would never relent.
Red slays the wolf, and another bursts through the kitchen window and bites her in the stomach. Glass gets in her hair. She smashes the chopping knife into its head, then runs out the back door, gulping for air. She doesn’t stumble. The wood must be at war with itself: Some trees let her pass, others scratch her. The howling recedes; the howling’s at her ear. Eventually her boots skid on marble and she falls, her heart a hammer against her ribs. She curls up to make herself small. At least I’m all bones. They won’t enjoy me.
The cavalcade forms up. In beats, without words, the drummers argue a bass line. While higher registers wait in silence, contraltos and bassos scat and moan, improvising the tune (the lyrics never change). The soulful melodies these deeper voices come up with are much too cool, and none capture the hot quiddity of their subject. “Make dat shit bump, y’all,” a counter-tenor exhorts. “Put some stank on it!” So the music picks up funk and swing. A girl bounces and stretches with the other dancers. They have black skin, or brown, or golden; hers is gray, waxen, and flyblown. What ails this girl, her bones slipping so weirdly in raddled tissues?
Once there was a prince of Ruyastan who was born in secret and hidden behind a false wall with a nurse to hush her and soothe and give suck. The prince and her nurse lived in narrowness for ten years, reading and watching the world through a crack no bigger than a needle. During those years, the dowager queen hunted down and killed, for jealousy, every one of the prince’s half-brothers and cousins, carelessly begotten in cities and villages and forgotten apart from notes in the royal genealogies.
Sené. Pregnant Sené. Sené of the tired skin. She whose face held a million wrinkles, each one etched deeply as if carved over the course of forty years. Sené whose blood was only twenty-four years young. [Faru, Faru running through the bush.] The shining eyes of her boys made her smile, but not much else touched her. Not a full-throated bird’s song, not the sun peeking pink at dawn, not her husband’s fleeting caresses.
[Faru leapt right, darted left. His hoof / slipped and his hind legs buckled.]
Quentin Ketterly could tell that the cards weren’t special when the fortune teller held out the deck to him. Real Cards, like those he carried in the case around his neck, didn’t show wear like Madame Serena’s did. And when he touched the deck, as she instructed him to, they were warm with the midday heat of the tent, not cold to the touch like the Cards always seemed to be. He didn’t know why—neither he nor Hiram knew much about the Cards at all, save for how to use them some.
People around here never wanted our family. Crow boys, they called us, a flock of five brothers and our father, all of us with long black hair. Flapping our over-sized, garage sale sleeves and falling over the fences the neighbors put between us and them. And maybe too because of the feathers. Our father hung black feathers from the side mirrors of his truck, along the eaves of the house, and he dangled them from the shriveled limbs of our dying fruit trees. All those feathers spinning in the hot wind.
Before the flute is a flute, it is a bird. This is the first act of magic. This is the first lesson the girl learns, when the world is still young and shaggy-coated with lingering winter. Sometimes things can be other things. An axehead hides in a chunk of flint. Before it is a meal, a mammoth is a squealing calf tagging along behind its mother. A fox is a white spirit barking curses until an arrow finds it and turns it into a friend that shields your ears from the wind’s teeth.