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The thaw comes early. Though I’ve been held here for dreams upon dreams, I am not ready. Shoals of us overwinter in the ice. As our bodies slow to quiescence, the ice resonates between us: signals that would be battered unintelligible by moving water.
Mark was aware that he looked more dead than alive, so he did not have high expectations for his first, and last, night on the town. He had fled the hospital’s cancer ward fuelled by stolen methamphetamines, wearing stolen clothes, and armed with just his credit card.
The woman’s name was lost in The Fall, as was so much else we once thought vital—seasons, rivers, uncharred air—but her image persists, has become indelible. The giant wall of white upon which her travesties are projected once yearly has become a mecca for all in this, our new world. The desert for miles around is littered with the bleached bones of those who would gaze upon her bare body, to confirm for themselves and their outposts that one such as her ever actually existed.
By the time he went to reclaim himself, it was too late. As a young man, he’d realized there was a power to being alone. Relationships were tethers that held you back, sapped you of strength, of will. People were poison. And not all poisons were bad; sometimes the toxic taste, the caustic kiss, was a good thing. But too much killed you all the same. No matter how alive it made him feel in the moment, he knew that in the end, it would cost him.
Dear Dr. Erzsébet Krajcsik-Nagy,
I am contacting you as a member of the general public, and not as a fellow scholar, though I must say my chosen field of art history does have certain similarities to yours. I read the interview with you in the online edition of the Plains Dispatch with great interest, and went on to seek out your research article mentioned therein, titled “On an Unusual Kind of Spatially Distributed Haunting.” I believe I have additional information which could shed light on the case study you mentioned.
The place I came from, the port across the sea of stars, the isle town edged with sturgeon scales, was built on basalt. The place I came to, the city at the centre of the field of view, the once-ringed origin of dreams, was too large and too important to answer to a single kind of rock, but the first I encountered there was an unpolished railing of coarse-grained granite—the kind that leaves little slivers behind in your palm, but when you go to investigate you find they are only imprints where stone has been.
I’m going to explain everything, I promise, but we don’t have much time. For now, you just have to trust me. In three seconds, I need you to raise your right hand. You know, like you’ve got a question in school. (Shouldn’t be too hard; I know you’ve got tons of questions.) Okay—wonderful. By now you must have raised your hand, or we’d both be gone already.
One time at a convention I ran across the Man of Flowers, the Superman of Daffodils, a long-haired guy, indestructible (of course), who slept in his car and drank a lot of cough syrup and didn’t really fight crime, unless the crimes were happening pretty close by. He was old by then, maybe fifty years old, but with stubble and green eyes and that ageless Tom Petty So-Cal face, and we’d gotten used to the idea that this particular ubermensch was more super-hero vibe than actuality.
Defense Attorney John Yurasov: Earlier you referred to this trial as a circus. Can you explain what you meant? Defendant Michaela Xiao: I don’t mean it was corrupt. Though that’s very possible. I just mean that the conclusion was always foregone.
Dad went out to get the milk and came back with two scars on his upper chin and a brand from the Druid King on his right thigh. He stumbled through the door like it was nothing; face scarred; eyes full of light.
Mum and Tega and I were eating dinner. We didn’t notice when he stepped through the door.
“Milk’s cold,” Mum said, not taking her eyes away from the TV. These days, she hardly seemed to care.
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