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I didn’t die when I fell into the candy river, you know. That mean girl didn’t die when she got flushed down the fake novelty toilet. Neither did the other one, the one who ate so much jelly that they rolled her away to pump her stomach. I think she set the record for the highest ever blood glucose level, but she’s alive. We write sometimes.
As dead bodies floated down the Mississippi, Mrs. Graves couldn’t shake the urge to dance. It was ingrained in her bones, dancing. Growing up in New Orleans, death was once celebrated—a spirited second line surging through Treme to the blare of trumpets and rumble of drums. But that was before the levees broke, before the waters rose, before the music stopped. “Honey, I’m home,” Mrs. Graves said, poking her head into their rundown trailer. “I found one.”
You are what blooms between my thoughts. Relentless, like the roots of a poplar, or the mold swelling from neglected corners of a home echoing with silent disharmony. You slink through my star-ridden veins, haunt my magma gut, occupy the warmth I carry for the denizens that trawl my skin. I cannot shake you, cannot fathom a sunrise without picturing you basking in its crimson glow.
Thanks, everyone, for coming. My name is Tandy. I’m here to talk about how I used my Otherworld goggles to become a better version of myself, but first—here is a partial list of questions I will not be answering tonight: What is consciousness? Is reality real? Does the AR I see in my Otherworld goggles represent an actual parallel universe that exists or is it just a computer simulation?
Never look down. Same rule as mountain climbing, high wire acts, or trapeze artistry. Once you lock eyes with the gravitational monster beneath you, it’s all-but-impossible to look away. You’ll see particles flowing down into the abyss that is the black hole—and whole suns unspinning themselves as their plasma and raw essence is sucked away into nothingness.
“You can’t bid more than we agreed on. Please don’t get swept into it,” Jules said as we exited the BART on Market Street, the sun beating down at us. He shed a denim jacket while I suffered in my hoodie, which had made sense in Oakland, less so here. “You can’t believe what I saw when I temped at one of these divine auctions. I’m talking golden cattle, firstborn children, the smell of their grandma’s cookies.”
For the seventh dusk in a row, the human girl comes to our tree with an offering. She approaches on all fours, moving almost as clumsily as I do when I crawl from the knothole and amble out along my favorite branch. Her face is hidden by a ceremonial mask. It’s a simple wooden thing, not half so ornate as the ones I know humans fashioned in the time of our ancestors.
Spotnik knows the humans haven’t forgotten him, because kibble still clatters into Spotnik’s bowl at six a.m. sharp. They’ve been gone long enough for all the vegetables in Hydroponics to shrivel up, limp and dead. Spotnik eats his kibble and licks up the crumbs, because he is a Good Boy, and Good Boys eat their rations. Even when the kibble goes soft and develops a white coat of mold and begins to stink so bad that he has to struggle to choke it down.
Once upon a time, there was a king who married a witch. Together, they had four sons and one daughter, and they were very happy as long as the king lived. When my father the king died and my oldest brother was crowned king, life went sideways for me, my sister, and our mother. The new king, our oldest brother, decided to use our sister as coin to buy our country’s safety. He planned to marry her to the king across a perilous border to our south.
The humans crawl into us, carrying their instruments and consulting their manuals. Their hands run over us, searching for nuts and bolts and hidden crevices. We are big toys that they all long to play with, to tear down and study. Our origin baffles them. They express endless awe at the complexity of our systems and are always asking themselves who built us. They come up with theories that get increasingly bizarre as time passes.
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