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The world’s greatest assassin lives on a private island. That’s so much a given that you must have known it already. You’ve seen all those movies about master thieves, brilliant scammers, unflappable secret agents, dangerous people who live on their own tropical islands and must be lured into one last job. He was the source of the cliché.
Once upon a time, there was a man who was born, who lived, and who died. We could leave the whole story at that, except that it would be misleading to write the sentence only once. He was born, he lived, and he died, was born, lived, died, bornliveddied. The first few words of a story are a promise. We will have this kind of experience, not that one. Here is a genre, here is a setting, here is a conflict, here is a character. We don’t know what is coming next, but we do know what is coming next.
My story has a strange shape to it. It has a beginning and middle and, of course, I need not tell you that it has an end because it is the nature of all things to end, especially stories. But this story . . . well, it bunches up in places and twists upon itself in ways that no good story should. The sharpness of its arcs flare and wane in unexpected places because it is a story made of other stories.
Mist flowed through the Tulgey Wood like treacle, slow and thick and unyielding. Squeaks and muffled chitters came from the underbrush as rabbits, foxes, and adolescent toves that hadn’t sensed the weather changing were caught and drowned in the gray-white mire. It would clear by noon, burnt off by the sun, and then the scavengers would come, making a feast of the small mist-struck creatures.
My name’s Irit Ziv. I have a low-rent apartment in the East Village that I used to share with my girlfriend, Shirley Chen. It’s April now, and Shirley died four months ago. Ever since then, I’ve been visiting Ma and Pa’s flat in Brooklyn Heights a lot. An awesome spot, with a full view of lower Manhattan. The trees by the river are turning green. I’m a grad student at NYU, trying to finish a PhD thesis in the physics department. Physics was probably a bad choice for me, but it’s too late to change.
At rest, coiled up, Michael’s mother is about the size of a riding mower. Michael’s living room is not much bigger than her.
With a shudder, she rises. Her little piston feet march, pulling her out of her coil. Lifters above the feet kick out like dancers in a line. She snakes into the kitchen. Julie shrieks in horrified delight. Their mother opens the refrigerator. Julie and Michael watch as she prepares them lunch. She nudges them into chairs at the table. They haven’t eaten at the table in a long time. Maybe she’s getting better.
“There’s a dark side to sloths,” she said, using her straw to plumb the ice at the bottom of her glass, flicking red-blonde hair out of blue-blue eyes. “Sometimes they go to grab a branch, but accidentally grab their own arm, and then fall to their deaths.” “Because of the mossy fur?” I guessed, also guessing at the best way to put my hand onto hers on the bubbled-glass patio table. I could see her suntanned legs underneath and it put sparks under my skin.
On the third day of the sightseeing trip, among walrus-laden icebergs, they run into slurry. At the fore, Skipper sticks a boat hook into the water. “There are plenty of critters here,” he says. “It’s like playing grab bag. You’ll always catch something on the hook.” He thrusts the boat hook up and down a couple of times, stirs it in the slush, and pulls it out again. A transparent little rag is impaled on the tip.
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