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Back in Obron’s workroom, Kaslo told the wizard his theory that the reason their enemy had sent a fire elemental against them was because he wanted the fiery spirit to seize the noubles the op had originally acquired from the murderous thaumaturge, Asrat Gozon. “Fire cannot harm them,” he finished.
The woman’s dress was perfectly correct. Indeed, it, and she, would have been utterly unremarkable, were it not for the bird perched upon her shoulder, black-feathered, eyes with the seasick luminosity of moonstones. “Vulgar,” Sofie said to me under her breath. “Why go out in society at all, if you are going to appear like that? No one wishes to have a party disturbed by such reminders of grief and mortality.”
The trick begins like this: The magician throws an egg up into the air, where it flies — small and white and full of import — up and up, high into the black reaches of the proscenium. We await the descent, holding our breaths, expecting at any moment the crash of slapstick hilarity, exploding like a bomb. But the egg simply vanishes.
As long as we’re waiting, why don’t I tell you a little story? You look like the kind of man who could profit by it. Don’t take offense, now. I meant that as a compliment. You remind me of me, that’s all. I’m a cowhand myself. Or was, anyway. I’ve been up and down the Chisholm Trail so many times I could walk it blindfolded from Brownsville to Abilene.
It was too late in the day to start back to Indoberia. Kaslo tried to find ways to busy himself about the castle, but his thoughts would not leave him alone. Finally, he went up to the flat roof of one of the larger towers and leaned against the parapet as the planet’s sun sank below a horizon no longer broken by the Commune’s skyline. In the opposite direction, the stars were coming out, but Kaslo saw only a handful of the glittering orbitals that used to stretch in a sparkling, glinting arc across the night sky.
On the nights Mrs. Wainwright let me work in the barn instead of the tavern, I used to sing to the horses. They would greet me with their own murmurs, and swivel their ears to follow my voice as I readied their suppers. That was where Captain Smythe found me: in the barn, singing a song of my own making.
Quentin told lies to people for money. Or drugs. Or kittens. Or anything, really. The particular currency didn’t matter, so long as what was being offered had value to the person who needed the lie.
They travelled all day, and at night came to rest by one of the large rocks that jut from the desert. The last caveat to voyagers before the plains of windswept sand. Here is what the boy heard: “Long ago, almost fifty years by official counting, there was a boy named Alladin.”
The piano player drums away with her left hand, dropping all five fingers onto the keys as if they weigh too much to hold up. The rhythms bounce off the rhythms of what her right hand does, what she sings. It’s like there’s three different people in that little skinny body, one running each hand, the third one singing. But they all know what they’re doing.
Remembering Cimmeria: I walk through the bazaar, between the stalls of the spice sellers, smelling turmeric and cloves, hearing the clash of bronze from the sellers of cooking pots, the bleat of goats from the butcher’s alley. Rugs hang from wooden racks, scarlet and indigo. In the corners of the alleys, men without legs perch on wooden carts, telling their stories to a crowd of ragged children, making coins disappear into the air.
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