Science Fiction
Alive, Alive Oh
The waves crash onto the blood-red shore, sounding just like the surf on Earth: a dark rumbling full of power. It’s been seventeen years since we left.
The waves crash onto the blood-red shore, sounding just like the surf on Earth: a dark rumbling full of power. It’s been seventeen years since we left.
Here’s how I found out: I was in a bar called Dave’s on East 14th Street. It wasn’t my usual place. I had been dating a woman in Stuyvesant Town. One night after I left, I still wasn’t eager to go home. So on my way I stopped in.
Ellie Santos-Smith grabs a clean white coat as spring dawn brightens her worn Oriental rug and streaks with sun her only luxury, a grand piano. She runs a comb through her jet-black hair, cut short because she thinks that makes her look older. Her smooth skin glows with 20-ish health, though she is 47.
Have you seen those houses on Oroño Boulevard, especially the ones that face east, those dry, cold, serious, heavy houses, with grilles but without gardens, maybe at the most a tile patio paved like the sidewalk? In one of those houses lives Ciro Vázquez Leiva, Cirito.
Default hadn’t been down in the nocturns for some time, probably half an orbit, but he had just dissolved the geneshare contract with his now-ex-lover and needed to get completely fucking perforated to take his mind off things. His lift was full of revelers all laughing and widecasting the same synthesized whalesong from Old Old Earth.
With minimal fanfare and next to no audience, Invasion of a Small World debuted in the summer of 2016, and after a brief and disappointing run, the series was deservedly shelved.
Addison Howell didn’t so much arrive in the town of Humptulips as appear there sometime around 1875. He had money, which set him apart from everybody else—because everybody else was working for the logging company, and mostly they didn’t have a pot to piss in, as my Daddy put it.