She dreams of blood. She always has done. Her gold gown drenched in it, the gold paint on her fingertips muddied by it. Her arms glow in the dream, a hundred paths of light trailing over her collarbones. In this dream, this vision, she is free. Her kind don’t really dream. They—she, she doesn’t think there are others—pull on the strings of fate. They look forward into the future and imagine possibility. She tells herself every time she dreams of blood and freedom: this is a dream.

Rhea found the feral child on the edge of the garbage park on the last day of the group’s vacation. Garrison, passed out from drinking the better part of a bottle of hundred-year-old Islay Scotch, had dropped a cigar onto the edge of the canvas tent and set it all on fire. “Damn it, Garrison!” Agunye shouted as personal air quality alarms blared. “You and your fucking retro addictions.”

I had enough time to light a fresh cigarette before my office door told the client to come in. Smoke in the air didn’t make it any easier to oil a cutlass, but it made me look badass. Same with my leather jacket, tailored to fit comfortably over my smartsuit. I projected confidence so brightly that every once in a while I forgot what I hid beneath it. My client entered wearing fine high heels and the calm stability that came from long years in habitat gravity. My most interesting cases were from habbers, because habbers didn’t come my way until they figured out their problem was beyond them.

Everything the sea takes, it gives back in its own way and its own time. That was what Jess’s grandmother believed, what she’d told Jess as they stood in the shadow of the giant red cedar that had washed ashore, its severed roots thicker than Jess’s body. It must have drifted for a thousand years or more to return to them in that moment. So, when the virus takes Jess’s grandmother, Jess steers her little solar-powered boat out past the Channel Islands and gives the body to the sea.