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Addison Howell didn’t so much arrive in the town of Humptulips as appear there sometime around 1875. He had money, which set him apart from everybody else—because everybody else was working for the logging company, and mostly they didn’t have a pot to piss in, as my Daddy put it.
Earth has grown quiet since everyone’s shipped off to the new one. I walk New Paltz’s empty streets with an ox-mask tight about my face. An acidic rain mists my body, and a thick fog obscures the vac-sealed storefronts. Last week they hauled the Pyramids of Giza to New Earth. The week before, Stonehenge. The week before that, Versailles and a good chunk of the Great Wall. But the minor landmarks are too expensive to move, the NEU says, and so New Paltz’s Huguenot Street, seven centuries old, will remain here, to be sliced to pieces in a few months when the planetary lasers begin to cut the Earth apart.
The arrival of the dust-covered girl caught Keraf by surprise. The girl’s slender face, sun-beaten to a deep brown, blended seamlessly into the cloth wrapped around her head. She couldn’t have been more than seventeen, but she wielded her rifle with ease.
Officially, the five exiles on the station were the Initiates of the Fermata. Unofficially, the Concert of Worlds called them the swanwatch.
Sai woke to the rousing first movement of Vivaldi’s violin concerto in C minor, “Il Sospetto.” He lay still for a minute, letting the music wash over him like a gentle Pacific breeze. The room brightened as the blinds gradually opened to the sunlight. Tilly had woken him right at the end of a light sleep cycle, the optimal time. He felt great: refreshed, optimistic, ready to jump out of bed.
Moonlighting as a non-player character was a hell of a way to earn a living. Never made much sense to spend all that time garbing up in a virtual uniform that matched gamespace, but Overton took pride in the details. So getting punched in the stomach by someone so caught up in an augmented reality fantasy they couldn’t tell real from script, that left him in a foul mood. All the man had to do was ask the right questions, get Overton’s responses, and move on.
On September 3, 2045, Jim Turner shot dead an innocent girl and went home to his family a well-adjusted man. It was supposed to be a simple escapee bust, out in the projects. Intel said three hostiles in the apartment, armed and volatile, on the run from Louisiana Debtors. So they rammed the door and went in, two other guys and Jim.
It was after I lost my job as the manager of a traveling troupe of precision unicyclists that I met Ace 167. I was down and out in a bar in Venusport, my last credit gone to buy cheap Venusian wine. The jukebox was playing an old, tinny-sounding Beatles tune and on the jukebox screen tiny grey figures cavorted: the Beatles in their prime, back in the magic 1960s. Gone, all gone, I thought.
A slip, slide, falling through icy coldness, white noise like TV static. A breeze of hot buttery popcorn. Giddy laughter, sweaty bodies, fanfare music over the intercom, and what’s this? A ten-foot-wide movie poster of young, pale, undernourished Carrie Fisher, posed seductively in a gold metal bikini with a collar and chain around her neck.
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