When I sat down to write “Apeiron” I had a decent sense of what I wanted it to be. A lot of the thinking about the story happened off the page, over years. I knew I wanted it to feel like a fable, but with more modern elements. I knew I wanted to expand on creation myths and delve into the psychology of gods. I knew I wanted it to be dreamy. What form all of that would take was the part I was least sure about. I figured I would work that out as I went.

We’re supposed to take care of one another, empower and uplift one another, hold one another accountable, show interest in one another’s histories, present experiences and dreams for the future, keep the home we share safe and clean for all of us who live here now and will live here in the future.

Zan being biracial, nonbinary, and working to get by paycheck to paycheck is, frankly, a relatable existence that’s also an infuriating one. I wrote this back in 2024, prior to the election in the U.S. and other events related to CEOs that transpired, so this story feels eerily relevant in a way I never intended.

I knew wanted to write a series character, so I took inspiration from the many, many characters in fantasy which appear over multiple pieces in general, and I guess a little bit from C.L. Moore’s great swordswoman, Jirel of Joiry.

I’m always thinking about real-life stereotypes and tropes, and how I can subvert them in the space of fiction. I wanted to write a story where the dad didn’t disappear but perhaps was neglectful of his family in other ways. He gets the milk, but is that the point?

The biggest influence was my own encounters with unhoused children on the streets of Karachi. Either on the way to school myself or coming to and from places in the city. There is no childhood for them, and no organised resource or infrastructure to resort to.

I think fantasy and science fiction have always been opposed to oppression. There’s always an evil man standing in a tower somewhere, a great all-seeing eye peering out at his domain, and there’s always band of men (or hobbits) rising up to meet him.

We all have a role in this world, but largely our role is not to be the hero. Tomas is a guy who grew up on some little hick planet, dreamed of getting off, and did in fact succeed in escaping.

In the Yoruba translation of the Holy Bible, the devil is sometimes called Satani which is just an adjustment of the English word Satan. However, where the English version uses the word “devil” then the Yoruba translation is Éshu.

We’re so used to thinking of exploring other planets as a dream or even a privilege. But if all these wild dreams come true, going into space will become someone’s job. What is our dream for those jobs?