Space is such a fertile ground for interesting world-building, and I thought this idea of characters living in asteroids to be a fascinating and also somewhat plausible world-building tool. I didn’t think so much of where to place them, so much as I knew where they would be based on the kind of people they are. I always think character first, and everything is in service to that.

I wrote the bulk of the first draft while I was on a cruise ship and experiencing the deep ennui that comes from being on a cruise ship. So that’s intrinsically buried deep in the DNA of this narrative in many mysterious and arcane ways. The second piece of inspiration is that a couple of years ago, on social media, I had seen an image of a mermaid in a bathtub with a bunch of tally marks written on the wall, and that painting really struck me. It’s always fun to take things seriously, and I started thinking about the sequence of events that might lead a person to keep a mermaid in a bathtub against its will, and the logistical challenges of essentially having both some guy in your house, and also a big goldfish.

I wrote “The Girlfriend Experience” while attending Clarion West last year. I masochistically put my hand up for Monday critiques, so it was one of the stories in our very first day of workshops. In retrospect, it might’ve been a subconscious litmus test to find out which of my classmates were prudes. (As it turns out, none of them; Clarion West Class of 2024 is wall-to-wall perverts, and I could not be happier.)

When I sat down to write “Apeiron” I had a decent sense of what I wanted it to be. A lot of the thinking about the story happened off the page, over years. I knew I wanted it to feel like a fable, but with more modern elements. I knew I wanted to expand on creation myths and delve into the psychology of gods. I knew I wanted it to be dreamy. What form all of that would take was the part I was least sure about. I figured I would work that out as I went.

We’re supposed to take care of one another, empower and uplift one another, hold one another accountable, show interest in one another’s histories, present experiences and dreams for the future, keep the home we share safe and clean for all of us who live here now and will live here in the future.

Zan being biracial, nonbinary, and working to get by paycheck to paycheck is, frankly, a relatable existence that’s also an infuriating one. I wrote this back in 2024, prior to the election in the U.S. and other events related to CEOs that transpired, so this story feels eerily relevant in a way I never intended.

I knew wanted to write a series character, so I took inspiration from the many, many characters in fantasy which appear over multiple pieces in general, and I guess a little bit from C.L. Moore’s great swordswoman, Jirel of Joiry.

I’m always thinking about real-life stereotypes and tropes, and how I can subvert them in the space of fiction. I wanted to write a story where the dad didn’t disappear but perhaps was neglectful of his family in other ways. He gets the milk, but is that the point?

The biggest influence was my own encounters with unhoused children on the streets of Karachi. Either on the way to school myself or coming to and from places in the city. There is no childhood for them, and no organised resource or infrastructure to resort to.

I think fantasy and science fiction have always been opposed to oppression. There’s always an evil man standing in a tower somewhere, a great all-seeing eye peering out at his domain, and there’s always band of men (or hobbits) rising up to meet him.