During the writing process, I discovered this was a story about control. Before Roger Abbott was convicted, he was a jaded man. Pessimistic and hopeless. A disgraced journalist who lost his family and found himself in a pit of disillusionment. But he wanted to share his story. His whole truth.

Embalming is clearly a set of tools that achieves remarkable results in the preservation of bodies, but of course its intention is a communication—either to ourselves or to the gods—of our feelings about death and eternity. C. S. Lewis said (I’m paraphrasing here) that we are animals, and therefore live in time, but that we are also partially divine, and therefore contain an awareness of eternity.

One thing I find interesting is the cyclical nature of humanity, of repeating pasts and histories, of being unable to move forward somehow even as time passes, at the way we always seem to be causing our own destruction even when what we truly desire is peace. Injustice is something that has persisted throughout human history, and it is something that seem as though it will always be prevalent.

So, that closure thing I mentioned—what I’ve always needed to heal, in my experience, is the community of my friends. In some ways this story is a love/thank-you note to some friends who’ve gotten me through some rough times.

Almost as soon as I sat down to start writing, I realized what mecha stories from Gundam to Pacific Rim have already demonstrated—the only reason a civilization would have to create a superweapon in the shape of an enormous humanoid figure is shock and awe.

At the beginning of the pandemic, I found myself writing a lot of stories that focused on the theme of sacrifice. In speculative media, particularly, there are a lot of stories that portray martyrdom or sacrifice as a noble or necessary cause.

The germ of this story was born in the 2021 stage of the pandemic, while watching a panel on lost Doctor Who episodes during a virtual version of our local Doctor Who convention, CONsole Room. I wanted to write about the way that seemingly frivolous things like fandom still persist.

I tried to give the narrator and his ancestors a kind of power that forces them to give back. They don’t get to control the elements freely like powerful mages. In the end, they are claimed by the forces that gave them those powers in the first place.

It feels scary to even be hopeful about the distant future, especially because I sometimes wonder if there will even be a “distant” future for humanity, with the devastating consequences of climate change already unfolding.

Resistance is much on my mind lately, with the world in its current state, and I wanted to talk about how communication might shape itself in a conversation about the act of resistance.