Editorial
Editorial: November 2024
Be sure to read the editorial for a rundown of all this month’s terrific content!
Be sure to read the editorial for a rundown of all this month’s terrific content!
I wrote the first draft of “Babywings” after rereading Gabriel García Márquez’s “A Very Old Man With Enormous Wings.” The older I get, the more magical realism hooks its claws deep into me. Coming at the story through this genre, at a sideways angle, has allowed me to grapple with themes that are, for me, more emotionally challenging.
To me, caste, race, class, privilege, identity, are all forms of societal structure designed to divide people into “us” and “not us.” Education, culture, and language have become part of these structures now, along with the weaponization of language.
There’s the old saw about sufficiently advanced technology being indistinguishable from magic; I think we were playing with the notion that magic in the hands of human beings would eventually be indistinguishable from technology—including the lifecycle that takes it from genuine awe-inspiring discovery, to commercial adaptation, to profit-maximizing iteration, to a climate-destroying tool for focusing wealth.
Arley Sorg has a new anthology recommendation: Sinophagia, edited and translated by Xueting Christine Ni. Get all the juicy details here.
Chris Kluwe says that this month we’re heading to early nineteenth-century France for a mysterious tale of ghosts and goblins, werewolves and witchy women, magic and mayhem and the occasional rat in lipstick and eyeshadow (applied humanely, of course). That’s right, we’re reading Strange Beasts, Susan J. Morris’ debut novel!
During the writing process, I discovered this was a story about control. Before Roger Abbott was convicted, he was a jaded man. Pessimistic and hopeless. A disgraced journalist who lost his family and found himself in a pit of disillusionment. But he wanted to share his story. His whole truth.
Embalming is clearly a set of tools that achieves remarkable results in the preservation of bodies, but of course its intention is a communication—either to ourselves or to the gods—of our feelings about death and eternity. C. S. Lewis said (I’m paraphrasing here) that we are animals, and therefore live in time, but that we are also partially divine, and therefore contain an awareness of eternity.
Looking for your next cozy weekend read with lots of great worldbuilding? Melissa A Watkins recommends Heir by Sabaa Tahir. Find out why!
One thing I find interesting is the cyclical nature of humanity, of repeating pasts and histories, of being unable to move forward somehow even as time passes, at the way we always seem to be causing our own destruction even when what we truly desire is peace. Injustice is something that has persisted throughout human history, and it is something that seem as though it will always be prevalent.