Editorial
Editorial, June 2013
Welcome to issue thirty-seven of Lightspeed! We’ve got another great issue for you this month; read the editorial to see what we have on tap.
Welcome to issue thirty-seven of Lightspeed! We’ve got another great issue for you this month; read the editorial to see what we have on tap.
The first inspiration was early Hollywood studio contracts. In short, during Hollywood’s Golden Age in the first half of the 20th century, studios contracted with actors. The actor was all but owned by her studio—she took the parts assigned her, whether she liked them or not. I found myself wondering how cinema history might have played out if studios had contracted the right to clone their actors. Jean Harlow, always alive, always twenty-six, the leading lady in every film?
I think the basic idea of the story, with the hound asking for the princess, came to me first. I often think first in plot. Then the characters seemed to follow naturally, then the settings. Sylvania was a lot of fun to create. But it’s actually larger than this story: I’ve set several other stories there, and I’d like to write more about that country. It’s my way of exploring the history of Eastern Europe, a kind of fantastical thought experiment.
Gregory Maguire is the author of The Wicked Years, a four-book cycle including Wicked, Son of a Witch, A Lion Among Men, and Out of Oz—all New York Times bestsellers. Wicked: The Musical is soon to celebrate its tenth anniversary on Broadway, and is one of the top dozen longest-running shows in Broadway history. Maguire has written five other novels for adults and two dozen books for children, and has written and performed pieces for National Public Radio’s All Things Considered and Selected Shorts. His novel Confessions of an Ugly Stepsister was an ABC film starring Stockard Channing.
The story arose out of the knowledge that we’re all dying all the time, though we like to remain scrupulously unaware of it. To know it, like Darwin, ironically is to be more alive, not less. That idea met up with zombies, a trope I’ve never liked. In my experience, the dead remain dead. It’s the single most distinctive feature of death—its permanence. I think of “Leaving the Dead” as an anti-zombie story. One thing you can count on in this tale is that no one is the living dead. Dead is dead.
It was fun writing a story in interview format. I love NPR and I love This American Life and Radio Lab and Off-Ramp. I would very much love to produce a story for This American Life except a) I’m not a journalist and don’t really like the work of going out and getting a story because it involves aggressively talking to people I don’t know and b) have absolutely no producing skills and don’t really want to learn them. So being a writer I could do the next best thing, which is fake one. I wouldn’t do it twice, because it’s a kind of gimmick. It has an energy when done once that it doesn’t have when repeated.
Karen Russell is the author of the story collection St. Lucy’s Home for Girls Raised by Wolves and the novel Swamplandia!, a Pulitzer Prize finalist and one of the New York Times’ Top 5 Fiction Books of 2011. Her new story collection, Vampires in the Lemon Grove, was released by Knopf in February 2013.
I started telling the story in present tense almost from the beginning because present tense can be really distancing in interesting ways for me. It allows a character to exist in a perpetual now, looking neither backwards nor forwards. And for a character like Nadia, who is trying incredibly hard to not think backwards or forwards, it really fits.
If I can pinpoint any “beginning” for this story, it would be the disembodied voices. It was an idea that came to me years ago, when I was first living alone in an apartment and would sometimes hear my neighbors through the walls. I think at one point I actually heard something that sounded like a dropped casserole dish. But at the time, I figured it would be a ghost story, so clearly there was a dramatic mutation that took place that turned it into a romance instead.
Giuliano Brocani is a designer and illustrator living in Italy. His portfolio and blog are at www.giulianobrocani.com. You can follow him on Twitter @notpill.