Nonfiction
Cyborg vs. Cyborg by Nigel Watson
When biology and technology is mixed and matched, you get a big bad mean biomechanical fighting machine. Well, that’s what happens to cyborgs in the cinema and on our TV screens.
When biology and technology is mixed and matched, you get a big bad mean biomechanical fighting machine. Well, that’s what happens to cyborgs in the cinema and on our TV screens.
As for the grittiness of the setting, all you have to do is look to our own world to see the growing gap between the rich and poor.
Up until very recently, if you wanted to have your mind read, you had to visit a psychic or a mentalist who would, for a small fee, pretend to do so.
There are very few stories about older people in our field, or any other, for that matter. Most of the time, older people show up as disapproving parents or other authority figures.
It’s almost as though the American electorate is splitting into two species, with the civilized, educated ones on one hand and the total ignorant know-nothings on the other.
I think writers should write what they know—but if they don’t know it, they need to learn it. And that includes all the sciences.
Welcome to issue nineteen of Lightspeed! Here’s what we’ve got on tap this month … Fiction: “The Sighted Watchmaker” by Vylar Kaftan, “After the Days of Dead-eye ‘Dee” by Pat Cadigan, “The Parting Glass” by Andrew Penn Romine,”The Hammer of God” by Arthur C. Clarke. Nonfiction: “Feature Interview: Richard Dawkins,” “Science (and Swindlers) Can Read Your Mind” by Jeff Lester, “Cyborg vs. Cyborg” by Nigel Wilson, “Armageddon Rock” by Alan Smale.
Light, shadows, and atmosphere are all part of my essential work. I don’t like all the cold and artificial images that some artists are creating with the computer.
If there really is, as the saying goes, more than one way to skin a cat, then it only stands to reason that there’d be more than one way to preserve its remains.
Charlie is in effect visiting the underworld, and trying to rescue Georgie. At bottom this is an Orpheus/Eurydice story of someone (a poet!) going under the earth to bring back a dead love, and failing.