The other theme of antisemitic blood libel comes into the story because it is hard to write anything with an even vaguely Eastern European setting involving ostensible human sacrifice while trying to ignore how historically, Jews were often accused of human sacrifice in the region and persecuted accordingly. I was curious if there were any specific links between construction sacrifice types of murder ballads and other folk traditions, and antisemitic blood libel—and I indeed found some folkloristics research about this that’s linked at the end of the story.

At one point the story asks, what if we understand being changed and making change as inextricably entwined? That’s something I’m thinking about a lot and I’d love readers to think about, too. How might we rethink our ideas of change so that we move smoothly from learning to acting without stalling in between? I think about this particularly in conjunction with social media and twenty-four-hour news, which can be useful resources for learning about instances of oppression and injustice, tragedy and disaster.

I would like to see Indigenous science fiction get more recognition and for more attention to be paid to tribally-specific genres. I’m delighted that Reservation Dogs, which contains many speculative elements, has received much-deserved recognition. But I’d also like to see more Indigenous SF adapted for television and movies.

I just like strange things.

If I’m writing a short story, I like to plan everything out in advance and then write from the bullet points; there’s not so much wiggle room when you’re writing against a maximum word count. If I’m writing a novel I also like to plan everything out in advance and write from the bullet points, with the difference that I generally get maybe two-thirds of the way through and realize that two or more of my bullet points conflict with each other and the entire house of cards is gonna collapse.