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Quentin told lies to people for money. Or drugs. Or kittens. Or anything, really. The particular currency didn’t matter, so long as what was being offered had value to the person who needed the lie.
It was an apocalyptic sector. Out of the red-black curtain of the forward sight-barrier, which at this distance from the Frontier shut down a mere twenty metres north, came every sort of meteoric horror: fission and fusion explosions, chemical detonations, a super-hail of projectiles of all sizes and basic velocities, sprays of nerve-paralysants and thalamic dopes.
It was April, and down in the orchard the first flashing blades of the new year’s growth were pushing aside the old, worn, winter stuff. The sky was blue and very clear, but the wind was cold. So the nursemaids put the little princess down under an apple tree, wrapped in her shawls, and ran away to play tag under the twisted apple branches, to keep themselves warm.
The spaceman shows up on a hot summer afternoon, not in the dead of night when you’re crouched in the garden peering through a telescope that shows you the endless glories and wonders of the night sky. There’s no spaceship making a bright arc against a star-spangled sky. Just a man in a spacesuit, standing at the edge of your hammock.
They travelled all day, and at night came to rest by one of the large rocks that jut from the desert. The last caveat to voyagers before the plains of windswept sand. Here is what the boy heard: “Long ago, almost fifty years by official counting, there was a boy named Alladin.”
The old house had been hit by something sometime during the war and mashed nearly flat. The front was caved in as though crushed by a giant fist: wood pulped and splintered, beams protruding at odd angles like broken fingers, the second floor collapsed onto the remnants of the first. The rubble of a chimney covered everything with a red mortar blanket.
Every night, before going to bed, Rina checked the refrigerators. There were two in the kitchen, on separate circuits, one with a fancy ice dispenser on the door. There was one in the living room holding up the TV, and one in the bedroom doubling as a nightstand.
The piano player drums away with her left hand, dropping all five fingers onto the keys as if they weigh too much to hold up. The rhythms bounce off the rhythms of what her right hand does, what she sings. It’s like there’s three different people in that little skinny body, one running each hand, the third one singing. But they all know what they’re doing.
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