Science Fiction
Harry and Marlowe Escape the Mechanical Siege of Paris
Harry looked out the window and thought: At least I saw Paris one more time before it was destroyed in the bombardment.
With minimal fanfare and next to no audience, Invasion of a Small World debuted in the summer of 2016, and after a brief and disappointing run, the series was deservedly shelved.
Every time I fall asleep I wake up in a different body. Every time I wake up I know one thing and one thing only. Everything that follows starts from that one thing, the only thing that matters, and what matters is who we are and who we want to be, because no one else can ever be the we for me. I snap awake and know one thing. I am a hero I am a terrorist.
My feet are scraped and bleeding, my slippers shredded and almost useless. The dress hangs in tatters around me. No longer white, it still bears the pearls along the bodice, and I hope I can keep them close and sell them in whatever town I find myself in. Provided I find a town. Provided I ever leave these woods. I have traveled for two days, surviving on puddle water and berries, hoping that the sounds I hear behind me aren’t my father, Roland, and the dogs.
You’ve heard of bottled cities, no doubt—society writ miniscule and delicate beyond reason: toothpick spired towns, streets no thicker than thread, pin-prick faces of the citizenry peering from office windows smaller than sequins. Hustle, politics, fervor, struggle, capitulation, wrapped in a crystal firmament might reclaim the land, stoppered at the top to keep reality both in and out. Those microscopic lives, striking glass at the edge of things, believed themselves gigantic, their dilemmas universal.
Addison Howell didn’t so much arrive in the town of Humptulips as appear there sometime around 1875. He had money, which set him apart from everybody else—because everybody else was working for the logging company, and mostly they didn’t have a pot to piss in, as my Daddy put it.