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“I married your mother for her skull. It’s no secret.” Jarak put aside his rasps and gouges for the moment, resting his eyes and mind from the precise, exacting work his trade demanded. He didn’t mind his son’s persistent questions at such times. Akan was at an age when he should be curious and, if curiosity was a duty, Akan was a dedicated boy. It wasn’t as though Purlo the Baker, whose skull rested patiently on Jarak’s workbench, was in a hurry.
Delightful Audoghast! Renowned through the civilized world, from Cordova to Baghdad, the city spread in splendor beneath a twilit Saharan sky. The setting sun threw pink and amber across adobe domes, masonry mansions, tall, mud-brick mosques, and open plazas thick with bristling date-palms. The melodious calls of market vendors mixed with the remote and amiable chuckling of Saharan hyenas.
This much is reality: Schwartz sits comfortably cocooned—passive, suspended—in a first-class passenger rack aboard a Japan Air Lines rocket, nine kilometers above the Coral Sea. And this much is fantasy: the same Schwartz has passage on a shining starship gliding silkily through the interstellar depths, en route at nine times the velocity of light from Betelgeuse IX to Rigel XXI, or maybe from Andromeda to the Lesser Magellanic.
On a beach by the sea stands a gutted stone tower. A man is climbing up the remains of a staircase that spirals up the tower’s interior. Vivi sits on the roof, oblivious, counting coins that have spilled from her breast pocket: one fiver, three ones, one golden ten. She’s only wearing a worn pair of pajamas, and the damp breeze from the sea is making her shiver. She has no memory of how she arrived, but is vaguely aware of the sound of footsteps.
Ellie Santos-Smith grabs a clean white coat as spring dawn brightens her worn Oriental rug and streaks with sun her only luxury, a grand piano. She runs a comb through her jet-black hair, cut short because she thinks that makes her look older. Her smooth skin glows with 20-ish health, though she is 47.
“Manuel Black is dead. Long live Manuel Black.”
—Headline of the New York Times obituary
“Are you crazy? You may as well ask me to write a eulogy for God.”
—Me, when my editor assigned me this article
One night, I woke to the sound of my mother’s voice, as I did when I was a child. The words were familiar to my ear, they matched the voice that formed them, but it was not until I had opened my eyes to the dark of my room and my husband’s snoring that I remembered the words were calling me away from my warm bed and the steady breathing of my children, both asleep in their own rooms across the hall. “Because I could not stop for death,” my mother used to tell me, “he kindly stopped for me.”
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