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The coffin she carried had felt like an imposition at first—a holy imposition! a welcome imposition! but an imposition nonetheless. But by now she had carried it on her shoulders out from the tenth school, carried it across plains, up and down canyons.
Mahō Shōjo Kira Kira Sunlight is an American web series created by an unknown animator or animators. The show combines magical girl anime tropes with cosmic horror, following high schooler Sally Hoshino (Kira Kira Sunlight) and her friends.
My son tells me that there’s a man in the house, someone he hears well after the lights are out, in the narrower halls or maybe at the far side of the den—a gait and creak he’s certain isn’t me or his mom, since he can hear us both breathing heavily and tossing in our sleep.
It’s my twelfth birthday and we’re all waiting for Wormwood and everyone is here and I mean everyone. Me and Mom and Dad and Big Pa which is my grandpa who was the strong man at one of the last traveling carnivals in America, and Bigfoot of course, and a swarm of killer bees collectively named Kyle who aren’t really so mean.
Posit a man. He could be any man. She could be a woman. They could be any human being anywhere on the spectrum. The story would play out the same. This is, however, entirely the creation of a writer who has written plenty of formidable women, and so he exerts authority for this one time and says that this is a man,
“Good evening, sir,” Dave says pleasantly, hiding his crossword puzzle under his computer keyboard, as the front door chimes. “Do you have a reservation?” “Afraid not.” The guest fiddles with his suitcase. “I saw the No Vacancy sign, but I gotta ask—” “No problem at all.” Dave’s keyboard clatters busily, a series of well-practiced keystrokes.
Finneus Lark finds the man nestled inside of the abdominal cavity of a doe, his skin so pale that his veins are like spiderwebs. Slick with visceral fluid, leaves and petals cling to the man’s bird-boned wrists. His face, haloed by damp curls and crowned by the doe’s diaphragm, is so peaceful he might as well have been asleep.
Alvin’s scripts arrived in yellow envelopes. They were hand delivered, placed inside his letter box as if part of the regular mail, but with no address or stamps on it. The scripts were typed on unlined paper. They were short, never longer than a page, never more than a scene. The scene would be set inside a shop, or a bar.
Kharatet moistens his sightless eyes with his tongue as he draws his finger across the limestone tablet glyphs. His audience today is a clutch of toddling nymphs, motionless save for their short tails rippling the shallow water impatiently. It’s a good age to read to, while the little ulmuns are still young enough.
Once a decade, a titanium-nosed shuttle plows through the rings of the planet Tartarus with a new batch of prisoners destined for the Orpheus Factory. The debris that makes up the rings is so thick that it thunders like a hailstorm, deafening the passengers. As the orbiting debris bounces and scrapes against the hull, the prisoners squeeze their eyes closed
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