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Finneus Lark finds the man nestled inside of the abdominal cavity of a doe, his skin so pale that his veins are like spiderwebs. Slick with visceral fluid, leaves and petals cling to the man’s bird-boned wrists. His face, haloed by damp curls and crowned by the doe’s diaphragm, is so peaceful he might as well have been asleep.
Alvin’s scripts arrived in yellow envelopes. They were hand delivered, placed inside his letter box as if part of the regular mail, but with no address or stamps on it. The scripts were typed on unlined paper. They were short, never longer than a page, never more than a scene. The scene would be set inside a shop, or a bar.
Kharatet moistens his sightless eyes with his tongue as he draws his finger across the limestone tablet glyphs. His audience today is a clutch of toddling nymphs, motionless save for their short tails rippling the shallow water impatiently. It’s a good age to read to, while the little ulmuns are still young enough.
Once a decade, a titanium-nosed shuttle plows through the rings of the planet Tartarus with a new batch of prisoners destined for the Orpheus Factory. The debris that makes up the rings is so thick that it thunders like a hailstorm, deafening the passengers. As the orbiting debris bounces and scrapes against the hull, the prisoners squeeze their eyes closed
The first time you can’t answer the question, you are already within the Great Dragon. Any bad decisions today? Mindy’s text reads. Around you, the Great Dragon’s pistons squeal, stutter, while the crew’s stressed voices echo above and below you.
Ever since I was little, I wanted to be the bomb. Not a bomb. The. It wasn’t enough for my smile to light up every room, to be loved by my family, my friends. The day I was born, two planes crashed into New York City, killing thousands. The adults tried to hide it.
To hear us sing is to know /your/ desire. The one you call captain, ruled by many longings, orders himself bound to the mast. Salt-cracked hands secure him. The prow’s a wedge to split the sea, carrying you toward /your/ fate: a role in /his/ story.
The two of us, myself and this man I did not know, sat at a table in a windowless white cell with an indefinite light source. I was afraid, as afraid as a human being can be. I remembered every step that had brought me here and I did not consider this a place of safety.
The unkind witch in Hook Tree Woods has little use for people. Mothers and sisters, obviously, will only disappoint you, and friends—well. She never had many of those. Her only friends now are snakes and toads, who are far preferable to humans.
We lost because we fought. In the beginning, everyone thought it was irresistible, the violence. No research had been done yet; no autopsies undergone. The news about these strangers from the stars didn’t even break nationally.
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