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The house wakes from its somnolence as the witch trudges up the path made of tarts. Through its rock-candy windows, the house scans her figure for any signs of hurt. The witch’s errands in the city make her nervous. And the house, being made of her magic and therefore of the witch, worries along with her that the wrong person might recognize her, or simply think they do.
In the eternity of star-ache where space coils around matter like a wounded animal, I hang in agony. Three supermassive black holes lurk in the corner of my hearing, each in a different corner of the galaxy cluster. Triangulation points. The calculation is redone every 4.5 microseconds, balm and torture both to my space-stretched mind. The ship’s computer tugs ceaselessly at my fragile gray matter.
When the giants came through the valley, they made footprints as long as the Santa Monica Promenade, as wide as Dodgers’ Stadium. They crushed dance studios, keto cafes, a waterpark. They left trails of steep-sided ravines with walls of stratified clay and crumbling asphalt, and this is where we now live. Sunset comes earlier down here, but it could be worse.
If there’s one thing that makes Starship Captains cranky, it’s the stupid crisis that forces them to turn the ship around and head back to whatever planet they just left. It’s a function of the wormhole drive. You have to be a certain distance away from the nearest sun before you turn it on, or else you’ll blow up. So you must go sub-light while still within solar systems.
Fejértorony There’s dysphoria, and then there’s turning into a mid-size city. But sometimes you try male, you try female, you try different kinds of nonbinary and it only makes you realize that something still doesn’t quite fit, something fundamental. There is a mismatch. I realized after my friend Juli moved abroad and became a library; […]
I understand why you became a ladybug. The ladybug is one of Earth’s jewels. Shapeshifters from all across the universe enjoy the ladybug form as a gentle introduction to our planet’s native transformative experiences. I’ve heard many a shapeshifter rhapsodize about the pleasures of tearing yourself free from the carapace of a ladybug’s instar-self not once but three times, with pupa and imago forms still to come. One visitor I assisted spent seven years as a ladybug.
The next girl through the door was Robin’s prototypical customer. She trotted in with her chin up, her posture so rigid she definitely had back problems. Her dress jacket was the color of newly hatched cardinals, and it was doubtless self-tailored, the material wearing out at the seams. Likely she was one of those academy girls who was paying their own way—so she was definitely shopping for a blade.
What I observed was a giant anthropomorphized ribbon microphone, the type one might imagine standing in front of a radio announcer and his studio audience, selling soap in the dirty 1930s. It sauntered lazily over to an overstuffed red couch, walking on stick-figure legs that looked like they’d been hand-drawn by a young child. The large red couch sat next to a five-foot tall elephant ear plant.
The town was not called Byzantium. The Ministry named it during the first meeting. “It’s not a colony,” Thomas James would have said if he could, but the office was hot and bright, the sun in the windows, in his eyes. He felt like he was surrounded by faceless figures even though there were only two other people in the room. The town they were talking about was located between worlds. The entrance was in the remains of Ooldea, out on the edge of The Nullarbor Plain.
You knew from the beginning. You knew because the world knew about the intricate and fascinating life-cycle of the Svarrs, and it had been documented and discussed everywhere throughout the media endlessly. And you knew because Vo made sure you understood, before you married them. Four years is the bonding-period you get with a Svarr. Not quite four years, to be exact. Four years minus twelve days.
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