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The villain won. It is that simple. By means fair or foul (but of course mostly foul), he has crushed the opposition, defeated all his enemies, and established absolute control over a domain that is, now and forever, entirely defined by his whims. Has he conquered the world? Perhaps his accomplishment is nothing that insignificant. Perhaps he has overcome a galactic empire.
Whit got lost in 1971 and couldn’t find her way back. She hit the fail-safe button but nothing happened, and meanwhile she kept getting thrown off by all the foreign landmarks, which turned the city into a maze. The Embarcadero Freeway, this wall of reinforced concrete, cut across the waterfront, with a view of the half-finished Transamerica Pyramid and the scorched ruins on Alcatraz. On Ocean Beach, scores of people squatted among cardboard
“I’m so cold,” said the woman in white. I didn’t have anything to offer her. No cozy sweater, wool coat, or scarf. Looking at her, though, I wondered if she’d want anything of mine. She had her own sense of style. Her clothes, all white, made my greys look grubby and drab. “Aren’t you cold?” she said. I shrugged. “I’m used to it.” It was dusk. I’d been walking alongside the road out of town. The locals called it Bad Luck Bends.
Ursa Major got right the fuck out of our universe on the very afternoon she learned there were other options. It was the lucky break of her life that she just happened to be there, a short sprint from one of those points where the alien aethertrain briefly punched through into our world: a multidimensional mechanical worm intersecting our reality as a rush of vaguely boxcar-like shapes.
Two days after my brother turned seventeen, he was gone, just like he’d guaranteed my dad. No sad goodbyes, no notes, no taking a knee in the hall before dawn to give me any good advice for high school when I got there. My mom’s story when anybody asked was that he’d moved out, he was old enough, he needed room, it was completely natural. My dad, if asked, would just shrug, knock back the rest of his can of beer, and say he hoped Rance was in the military.
Have you ever had an imaginary friend? Would you like to? Stowaways is a groundbreaking work of memetic art that, when originally premiered, raised an ethical controversy about the consensuality of artistic experience. In the 2060s researchers developed information-dense images that could deliver code to the biocomputational apparatus of the human mind, raising memetics out of the low-brow world of social media to the plane of high culture.
Marisol stared into the cave, breathing in the stomach-turning scent of decay that meant a dragon’s den was inside. I held my handkerchief over my nose and mouth so that I wouldn’t gag. “You’re sure this is the one?” “Definitely.” She scratched the stub of her left arm where it tucked into the metal hinge, just above where her elbow had once been.
This Brian has blue eyes. It’s too bad, because everything else is the same—the dark wavy hair and high cheekbones, the slight wrinkle under his right eye. Even his beard is combed in the same neat, identical rows. He was so close. So, so close. For a moment, I fantasize about choosing this Brian. He’s almost perfect. Hell, I even prefer blue eyes over brown ones.
Gather round while Dusty Boots continues this tale from the Great Sweet Sea.
The wide yawning sky. We stare at unfamiliar stars, seeking familiar patterns in their strange configurations. Here is a cup and there a bear. A queen reclined and all the fish in the endless seas. The universe is more boundless than we know. Maybe than we can know. We left everything behind for this, everything. We won’t return home—can’t return home.
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