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“The point is not to make an exact replica of the Teheran embassy compound.” Exasperated, Ivan Venutshenko grabbed his hair in one hand and pulled up. “It’s the spirit of the place that we want to invoke here.” “This has the spirit of our storage warehouse, if you ask me.” “This is our storage warehouse, John. We make all our movies here.”
We are familiar with gold, says Hume, and also with mountains; therefore, we are able to imagine a golden mountain. This idea may serve as an origin myth for Iram, the unconstructed city.
You ask how my brother died on the moon that day, but that’s the wrong question. Ask instead what he spelled with his bootprints when we first stepped down from the platform. Ask instead the one song he listened to, the whole flight there. Ask why he wanted me there instead of Jess, his wife. It’s because we used to pretend the backyard at night was the moon. That we were astronauts. That gravity was different.
My assistant said, “You have received an invitation from Holk Xanthoulian. He is embarking on a new menu and invites, and I quote, ‘a select coterie of the cognoscenti to sample its superlative assemblage of tastes, textures, and titillations.’” “He has a flair for the alliterative,” I said. “Sadly, that is true,” my assistant said. “Shall I decline?”
“It doesn’t hurt, Gram,” Renata says. My sixteen-year-old daughter pulls up her t-shirt sleeve to show her bare arm, the skin summer brown and the muscle swelling slightly into smooth biceps, flawless. “I had it done when I was little and see, you can’t even tell.” My mother is sitting in the little examining room at the assisted living complex. Everything is white and hospital-like but there’s no examining couch.
When I finally visit Hugh Everett, it’s 1982. We sit down and pahnah pours himself a glass of sherry and lights a cig before asking me about the purpose of my visit. We’re in Hugh’s bedroom. He’s sitting on his bed, in full suit and tie, taking deep drags from his cigarette. I take a seat in a chair next to the window. I tell him I want to hear about his theory. This isn’t true. I know his theory well.
His name was Two-Tongued Jeremy; he was a monitor lizard with a forked tongue, thick glasses, and a wild, wagging smile meant to convince children that learning could be fun, too. He came highly rated. He updated automatically. When our promising children propped their tablets against their stacks of textbooks, their glazy angelic eyes took on that ferocious determination we liked to see in ourselves.
We have a kid now and another on the way and—the idea is, the hope is—that we are, at least in a technical sense, adults. We’d always assumed we would know more, would have accomplished more, by the time we got to this point, assumed we would have turned into different people, better people. That was the idea. That was the hope. Looking back over our shoulders, we can see the track stretching out behind us, an unbroken line from where we got on to where we are now. The voice of the American ride says: Please keep your attention focused in a sideways direction.
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