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They got Becker out in eight minutes flat, left the bodies on the sand for whatever scavengers the Sixth Extinction hadn’t yet managed to kill off. Munsin hauled her into the Sikorsky and tried to yank the augments manually, right on the spot; Wingman swung and locked and went hot in the pants-pissing half-second before its threat-recognition macros, booted late to the party, calmed it down.
Eleanor Tolliver’s heels clicked on the sidewalk—click click, click click, like a cantering horse, if a horse could canter in size seven and a half shoes. It was odd, this lopsided step, in a woman whose lavender suit had been bought last week at Lord & Taylor. Really, she admitted to herself as she clicked down Elm Street, she should not have bought the narrows. The left shoe, in particular, pressed against her corn and produced the cantering gait we have noticed.
Living in Commerce City, odds are you’re going to get caught up in something someday—pinned down in the crossfire of some epic battle between heroes who can fly and villains with ray guns, held captive in a hostage crisis involving an entire football stadium, or even trapped by a simple jewelry heist or bus hijacking. When my turn came, I got stuck in a bank robbery.
Kate took the hatbox to the dining room table, lifted the top, and removed the items: a glass brooch, a wood carving of a beaver, an empty perfume bottle, a blue silk scarf. It was the photograph she picked up: four by six, black and white, but well preserved beneath glossy finish. A man and woman stood in front of a small, red-bricked house—this house, but minus the coniferous shrubs and mature trees, it appeared different. Bleak almost, the coziness that had lured Kate and Shawn absent.
At rest, coiled up, Michael’s mother is about the size of a riding mower. Michael’s living room is not much bigger than her.
With a shudder, she rises. Her little piston feet march, pulling her out of her coil. Lifters above the feet kick out like dancers in a line. She snakes into the kitchen. Julie shrieks in horrified delight. Their mother opens the refrigerator. Julie and Michael watch as she prepares them lunch. She nudges them into chairs at the table. They haven’t eaten at the table in a long time. Maybe she’s getting better.
The derelict ship ward was in an isolated section of Outsider space, one of the numerous spots left blank on interstellar maps, no more or no less tantalising than its neighbouring quadrants. To most people, it would be just that: a boring part of a long journey to be avoided—skipped over by Mind-ships as they cut through deep space, passed around at low speeds by Outsider ships while their passengers slept in their hibernation cradles.
I knew she was there. Lenet believed she was stealthy, and would perhaps have been correct, had I not been the cat of the Duke’s Theatre for four long years. All the sounds that grand old building could make were known to me . . . including the sound of a barefoot Cait Sidhe girl stalking the rafters like the ghost of Hamlet’s father. The footsteps stopped above my head. “Rand,” Lenet hissed, voice pitched low to keep it from carrying to the audience below.
Tain held a pistol toward me. The black gel of the handle pulsed, waiting to be gripped. “Better take this,” she said. I shook my head. “I never use them.” We sat in an unmarked police cruiser, the steering wheel packed away in the dashboard. Tain’s face was a pale shimmer in the cool blue light of the car’s entertainment system. “Your file says you are weapons trained.” “Yeah,” I said, “I got one of those cannons at home, locked in my kitchen drawer.”
“There’s a dark side to sloths,” she said, using her straw to plumb the ice at the bottom of her glass, flicking red-blonde hair out of blue-blue eyes. “Sometimes they go to grab a branch, but accidentally grab their own arm, and then fall to their deaths.” “Because of the mossy fur?” I guessed, also guessing at the best way to put my hand onto hers on the bubbled-glass patio table. I could see her suntanned legs underneath and it put sparks under my skin.
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