Author Spotlight
Author Spotlight: Cory Skerry
I started with the title and the premises of written magic and a sunken, haunted ship.
I started with the title and the premises of written magic and a sunken, haunted ship.
Edvige Faini is an Italian concept artist who works internationally for the entertainment industry. Her job is to create concepts, environment, and key frames for films, video games, and commercials. In collaboration with such design studios as New Fuel Studios and The Aaron Sims Company, her work is attached to some of Hollywood’s biggest productions of 2013-14, such as: 300: Rise of an Empire, Dawn of the Planet of the Apes, Hansel & Gretel, Maleficent, G.I. Joe, and Kull The Conqueror. Edvige Faini is currently employed at Ubisoft Singapore as a Concept Artist for the video game Assassin’s Creed. Her website is www.edvigefaini.com
I had quite a bit of fun with imagining the backstory of Morbid Management—the idea being that a dinosaur-based rock act would only be the latest in a string of epically tasteless ideas that have all gone wrong in one way or another. Oddly, though, once I started thinking about robot cover bands, I wondered why someone hadn’t already done it in real life. And then (long after the story) I found out about Compressorhead, the all-robot Motorhead cover act! They sound like fun.
Late Imperial China never developed an independent legal profession as we understand the term in the West. But the complex social and economic life during the Qing Dynasty created demand for individuals with litigation expertise. And so the songshi (“litigation masters”) were born.
Welcome to issue thirty-nine of Lightspeed! We’ve got another great issue for you this month; read the editorial to see what we have on tap.
[I] said to myself, “But what if you could just mine games?” Then I decided that war was a game made incarnate, and there was a woman strategist who was out to completely outsmart him. It grew from there.
I think the repetitive quality of the story is similar to certain fables or folk stories, which often feature an element that repeats and gets worse every time.
Hugh Howey is a self-described “bum,” who for the past twenty years has bounced from job to job—computer repair, roofing, yacht captain, bookstore clerk. In his spare time he wrote science fiction, and after growing impatient with the long waits and uncertain rewards of traditional publishing, he began self-publishing his work on Amazon.com. Just a few years later, his post-apocalyptic novel Wool, typed out in a storage room during his lunch breaks at the bookstore, was earning him over $100,000 a month on Amazon, had secured him a six-figure book deal from Simon & Schuster, and had been optioned for film by Ridley Scott, director of Blade Runner and Alien.
My child, your Elder will now tell you of a time long, long before you were born, an age of darkness, in which our People of the Sci-fi had no women. Among the People were only men. The men did all things well and bravely. They went where no man had gone before. But women they knew not, except as depicted upon the covers of their magazines, having large breasts and screaming.
Years ago, in one of my creative writing classes, another student asked what the plural of “nemesis” was, and it sparked this big debate, not just about the correct word, but if you could ever have more than one nemesis and if a word like nemesis should even have a plural form. So I start thinking about superheroes, naturally, because I’m a geek, and that’s kind of what I do, and I start wondering if a superhero could just decide to replace his nemesis if he ever actually succeeded in killing him.