Author Spotlight
Author Spotlight: Chris Willrich
Several years ago my wife gave me good writing advice—stop trying so hard to outguess editors and write something you’d enjoy reading, whether or not you think it can sell.
Several years ago my wife gave me good writing advice—stop trying so hard to outguess editors and write something you’d enjoy reading, whether or not you think it can sell.
The ending gave me fits for ages and I still don’t know if I’m entirely pleased with it, but I think it ends honestly and seems to work for most people. I’m at peace with it, anyway.
The internet and social media have had a huge impact in establishing a global perspective; no matter how much a country might try to control these media, it’s never going to work—the people will tweet.
This month we have original fantasy by new writer Brooke Bolander (“Her Words Like Hunting Vixens Spring”) and Fantasy-favorite Genevieve Valentine (“The Gravedigger of Konstan Spring”), and fantasy reprints by Chris Willrich (“The Mermaid and the Mortal Thing”) and the legendary Robert Silverberg (“Not Our Brother”). Plus, we have original science fiction by Keith Brooke (“War 3.01”) and bestselling author Carrie Vaughn (“Harry and Marlowe and the Talisman of the Cult of Egil”), plus SF reprints by award-winning authors Gregory Benford (“Dark Sanctuary”) and Kristine Kathryn Rusch (“Craters”). All that plus our artist showcase, our usual assortment of author spotlights, and feature interviews with bestselling authors Chuck Palahniuk and Daniel H. Wilson. And, for our ebook readers, our ebook-exclusive novella this month is the dark, brutal tour de force “Hands Up! Who Wants to Die?” by Lucius Shepard.
I had actually read some article once in a magazine that said women responded more to men who had symmetrical faces, which just seemed bizarre and awfully hard to track.
When I was a kid, my grandparents and doctors made me drink a lot of “bitter soup” whenever I got sick, so that part required no research at all. But to write this story, I had to study some of the theories behind the bitter soups.
The notion of working the boundary line between a real currency and a virtual currency is inherently interesting to me.
I figure if you can’t say what drives people absolutely crazy about your point-of-view character, you probably haven’t nailed their voice yet.
I find serious martial arts students don’t read adventure fantasy, and serious readers of fantasy don’t bother to work out the moves in their heads. Bummer!
For me, the characters always come first. I sort of inhabit them, and it’s natural that they then move through successive scenes, whether seasonal or not.