Author Spotlight
Author Spotlight: Robert Reed
Memory is suspect, but I did suffer the image of a woman leaving a room and then not returning for a great long while. I think I was watching TV. Maybe something on the screen triggered the image.
Memory is suspect, but I did suffer the image of a woman leaving a room and then not returning for a great long while. I think I was watching TV. Maybe something on the screen triggered the image.
Battlefield robots are armed, intelligent, and poised to change the face of modern warfare. At least, that’s what the pundits have been repeating for the last decade.
The current situation in Nigeria is highly volatile. There are militants in the delta region who are kidnapping and sometimes killing oil workers, they are blowing up pipelines and assassinating officials. This kind of situation cannot last long. Change is inevitable.
Science fiction certainly encourages the asking of the big questions: Who are we, what makes us human, what is our purpose, what is our destiny.
Exploring our cosmic context is a major purpose of SF, I’d say. But in fiction you do need to find an intimate human story to tell!
“Highrises” was created as an illustration to accompany a Ray Bradbury article regarding the future of Space Exploration and appeared in a seemingly uncanny place for science fiction in 2000, Playboy Magazine.
Ever since humanity has been able to launch projectiles into space, a major priority has been to communicate with any alien life forms that might come across this space detritus and wonder who shot a space probe right into their upper atmosphere.
I envisioned a species that had no evolutionary imperative towards competitive behaviors, and as such thrived on constant, snail’s-pace communication routines that similarly kept all members of any given community bonded at all times.
Welcome to issue ten of Lightspeed! On tap this month… Fiction: “Saying the Names” by Maggie Clark, “Gossamer” by Stephen Baxter, “Spider the Artist” by Nnedi Okorafor, and “Woman Leaves Room” by Robert Reed. Nonfiction: “You Never Get a Seventh Chance to Make a First Impression: An Awkward History of Our Space Transmissions” by Genevieve Valentine, “Feature Interview: Walter Jon Williams” by Chris Moriarty, “Retro Robots on the Battlefield” by Daniel H. Wilson, and “Immortal Jellyfish and Transhuman You” by Ekaterina Sedia.
With that spark of manifest destiny helping to illuminate your path, there is no stopping you from pulling up stakes and heading out to any of the nearby worlds that are so seemingly destitute of life as we know it that they are practically begging to be colonized.