Nonfiction

Five Planets that Will Kill You Dead

Aside from the many Class-Ms on which Captain Kirk had disastrous dates, let’s face it: there really is no good planet on which to crash. And if things have already gone so badly that your brave, space-faring expedition has to make an emergency landing on some mapped-but-untested interstellar hinterland, you’re already pretty much up a creek. However, since Murphy’s Law is the overriding constant of the universe, things can always be worse. And with these five planets (some of the galaxy’s wildest), we’ll show you just how bad a planetary crash-landing can get.

In Oct. 2010 (Issue 5)

Nonfiction

Considering Cryonics

by Gregory Benford

From submarines to robots, much of the technology we take for granted today was originally conceived, not by scientists or inventors, but by that biggest of dreamers: the science fiction writer. Once thought wildly impossible, cryonics—the freezing of the recently dead, to be revived and repaired in the future when technology allows—seems to be following that same path.

In Oct. 2010 (Issue 5)

Author Spotlight

Author Spotlight: John R. Fultz

by Erin Stocks

“Where did it come from? To be honest it was inspired to a large degree by Chuck Palahniuk’s story ‘Guts,’ which is probably the most disturbing and visceral piece of fiction I’ve ever encountered. It literally makes people pass out during public readings. My goal was to achieve that kind of intensity in a science-fiction setting.”

In Oct. 2010 (Issue 5)

Nonfiction

Interview: Marc Laidlaw, creator of Half-Life

by Matt London

“Half-Life was conceived as horror first, and always intended to be scary above all else. The atmosphere shaded toward dark, dystopian SF in HL2, but in Half-Life 1 we treated the game as a Technological Gothic, with Black Mesa playing the role of the spooky old castle. The science fiction and horror elements set each other off nicely. At Valve, we are all about contrast. Unrelieved horror, like unrelieved anything, gets tedious, so we make sure our games are rarely flat: You’re either climbing toward a peak, plunging into a chasm, or approaching a dark corner. And when there’s no overt menace, you should be really nervous.”

In Oct. 2010 (Issue 5)

Author Spotlight

Author Spotlight: Joe R. Lansdale

by Erin Stocks

I think there are way too many places for me to know for sure [where this story came from], but I did grow up in the fifties and sixties, when the fear of The Bomb, was at its height. I also grew up on numerous science fiction and monster stories about creatures created by radiation and so on.

In Oct. 2010 (Issue 5)

Nonfiction

When Universes Collide

by Pamela L. Gay

Once upon a time, in an age before civilization, before humanity, before the dinosaurs, even before the Big Bang, our universe…wasn’t. Nothing, nada. Void. It’s scary but true. Once upon a time, our universe didn’t exist, not even as a twinkle in God’s eye.

In Oct. 2010 (Issue 5)

Author Spotlight

Author Spotlight: Sarah Langan

by Erin Stocks

“The idea came to me like a bolt of lightning. I’d been researching technological singularity, and started to wonder, what would happen to us, if we all uploaded at the same time? Would the density of our consciousness create a gravitational singularity, and if so, would we be hastening our own end, rather than avoiding it?”

In Oct. 2010 (Issue 5)

Editorial

Editorial, October 2010

by John Joseph Adams

Welcome to issue five of Lightspeed! On tap this month… Fiction: “Hindsight” by Sarah Langan, “Tight Little Stitches on a Dead Man’s Back” by Joe R. Lansdale, “The Taste of Starlight” by John R. Fultz, “Beachworld” by Stephen King. Nonfiction: “When Universes Collide” by Dr. Pamela Gay, “Feature Interview: Marc Laidlaw” by Matt London, “Considering Cryonics” by Gregory Benford, “Five Planets that Will Kill You Dead” by Genevieve Valentine.

In Oct. 2010 (Issue 5)

Nonfiction

Interview: John Scalzi

by Erin Stocks

“Before writing Old Man’s War, I went into a bookstore to see what kind of science fiction was selling; I saw more military SF than anything else, so I decided that’s what I should probably write if I wanted to sell a book. This sounds mercenary to some, but more charitably it was market research. I wanted to sell a book, so I was pretty dispassionate about what book that should be. Now, having chosen military science fiction to write, I made sure it was a book I myself would want to read—market research is fine and good but if you’re not writing something you’d actually want to read, then that book’s probably not going to be something anyone else would want to read either.”

In Sep. 2010 (Issue 4)

Author Spotlight

Author Spotlight: Robert Silverberg

by Wendy N. Wagner

In “Travelers,” Robert Silverberg has created a future where travel between planets is the entirety of many people’s lives, people no more rooted in place than a zephyr or tornado. Without restrictions like health issues, life span or economics, the humans in this future can enjoy jaunting across galaxies the way twenty-first century oil barons enjoy island-hopping in the Caribbean. It can be a hedonistic lifestyle—or it can be a way to expand one’s horizons, ever-deepening one’s understanding of humanity through exposure to The Other: other people, other cultures, other worlds.

In Sep. 2010 (Issue 4)