Editorial
Editorial: February 2024
For a rundown of this month’s content, be sure to check out the editorial.
For a rundown of this month’s content, be sure to check out the editorial.
How did “A Sojourn in the Fifth City” originate? What inspirations did you draw on? In the broadest sense, this story is a version of the science-fantasy novel that I started writing when I was fourteen years old, wrote and rewrote many times over high school and early college, but never managed to turn into […]
If you’re looking for an exciting SF dystopic read, Chris Kluwe thinks you should check out Snowglobe by Soyoung Park (translated by Joungmin Lee Comfort).
This story grew out of a writing process I was experimenting with last year where I would write each morning to a prompt nonstop for ten minutes. The idea was just to gather a little more raw story material to work with. I also should confess that I was looking for an excuse to write longhand and make use of my modest collection of fountain pens and inks.
Arley Sorg reviews The Black Girl Survives in This One: “A YA anthology of horror stories centering Black girls who battle monsters, both human and supernatural, and who survive to the end.” Find out if it’s for you, too!
Aigner Loren Wilson review’s Tlotlo Tsamaase’s genre-blending Africanfuturist novel, Womb City.
I like films. Sometimes, when I watch a film I try and figure out what the extras are saying in the background. It’s usually with films I’ve seen before. I’ve worked as an extra before so I know it’s mostly nothing, but once you start thinking about this, it takes you places.
Be sure to check out the editorial for a discussion of this month’s content.
This story was inspired by the ecology of animals like the olm, a unique cave-dwelling salamander, and the honeypot ant. One of my favorite things to do in speculative stories is interweave non-human lives, ecologies and cultures into our human ones.
It seems to me like most good advice on writing boils down to 1) read widely, and 2) write. But I wish more people understood that all published writing is an optical illusion, a magic trick that looks effortless but is in fact the product of endless rehearsal, practice, and revision.