Nonfiction
Media Review: May 2019
This month, reviewer Christopher East compares the novel and the two animated adaptations of the fantasy classic, Watership Down.
This month, reviewer Christopher East compares the novel and the two animated adaptations of the fantasy classic, Watership Down.
My father woke me up on April 12, 1981 to watch the very first Space Shuttle launch. I remember how it affected me and filled me with such pride and awe that we as a species were able to do that, to send human beings into space on a plane atop a column of fire. Fast forward to today, when we’re making leaps and bounds in space technology, but the public has mostly lost interest in it, at least it seems that way from my limited vantage point. And I thought, what would be better to grab the public’s imagination than a pop star performing songs in space?
This month, LaShawn M. Wanak will be reviewing The GamesHouse by Claire North, Middlegame by Seanan McGuire, War by Michelle West, and Terminal Uprising by Jim C. Hines.
The experience of refugees the world over is sadly the same: Fleeing from conflict and persecution, all they want is safety for themselves and their children—a chance at a normal life, such as you and I might take for granted. As of 2018, there were over sixty-eight million displaced people in the world. A “zero-tolerance” policy essentially means damning them and their dreams of a safe home, far from violence. So many people the world over lack the most basic necessities: clean water, adequate food, a roof over their heads that won’t get blown up during the night.
Be sure to check out the editorial for a rundown of this month’s terrific content, plus all our news and updates.
This was written for a gorgeous illustration by Julie Dillon, but the sea turtles paired with the second moon took a while to work themselves out in my head, so it took a few months of worldbuilding to discover the story I wanted to write: One about a lesbian relationship wherein, during a separation, both partners wonder whether it might be better for the other if they weren’t dating. As with so many ideas that become finished pieces, that initial idea got the writing started, but another aspect of the story eventually took center stage.It took a while for me to find it though.
Rebecca Roanhorse is a Nebula and Hugo Award-winning speculative fiction writer and the recipient of the 2018 Campbell Award for Best New Writer. Her short fiction has also been a finalist for the Sturgeon, Locus, and World Fantasy awards. Her novel, Trail of Lightning, was selected as one of the Amazon, B&N, Library Journal, and NRP Best Books of 2018, among others, and is a 2019 Nebula Finalist. Her short fiction can be found in Apex Magazine, New Suns, and various other anthologies. She lives in Northern New Mexico with her husband, daughter, and pug.
When you’re in America, trying to write fantasy in English, you’re so often referred to The Hero with a Thousand Faces as the source of everything good and perfect. But while reading it I, as a woman, felt almost deliberately pushed out into the cold. I wanted to write something that would illustrate just how dismissive it is of anyone who isn’t a straight cis man . . . and decided that I could do it as a 1000-word flash to make my life easier during week three of Clarion West. Uncountable months, four drafts, and a 150% increase in length later, I hear the universe laughing at me.
Reviewer Christopher East unpacks the many layers of Netflix’s Russian Doll.
I’ve always wanted to write some sort of homage to the many science fiction/fantasy authors and stories that have influenced me personally, especially as a kid. That notion kinda evolved into an exploration of the ebb and flow of “the sense of wonder” in various stages of life. Plus, my writing generally tends to be heavy and tough to read, so I reached a point where I just wanted to write something lighter and more fun for a change. All that merged into “Gundark Island.”