Author Spotlight
Author Spotlight: Brian Stableford
The plot assumes, of course, that most people are inherently vicious; whether or not that qualifies as insanity depends on your definition of sanity.
The plot assumes, of course, that most people are inherently vicious; whether or not that qualifies as insanity depends on your definition of sanity.
This is what I tell every aspiring writer: It should be more important to you to be good than to be published. If you stick with it long enough and don’t grow discouraged or bitter, you will become a better writer. And a writer who is true to herself is more likely to enjoy regular publication, anyway.
This month, our newest member of our reviews team, LaShawn Wanak, takes a look at Mur Lafferty’sSix Wakes, Kameron Hurley’s The Stars Are Legion, and a new novella from Kai Ashante Wilson: A Taste of Honey.
You don’t forget people who tried to kill, enslave, wipe out your ancestors! You don’t let them erase you from history. You write over them. Write stories that reinstate your people into those missing pages from history. You write SF stories, Western stories, that postulate a world where Indian means what it really ought to mean, a person from India, not an indigenous First Nation person who was mistakenly called Indian by a stupid, vicious European.
An animal can be brutal; there’s no moral judgment to the concept. It takes a thinking creature to be cruel.
Each season of Black Mirror is like an issue of a great science fiction magazine, particularly one with a focus on near-future tales that examine the complex, usually dark aspects of technology. Like The Twilight Zone, Black Mirror multitasks, mixing in cultural critique with its slick SFnal concepts, jaw-dropping reveals, and intriguing story structures. But whereas The Twilight Zone had a broad genre approach, Black Mirror’s is more specifically centered on futurism and information technology.
my dad is a steam train enthusiast, so I grew up in an atmosphere of love for a bygone age and its technology. But I think mainly it was Turner’s painting of the Fighting Temeraire, the old warship from the Battle of Trafalgar being tugged off to be broken up. I was thinking about nostalgia and the pain of losing familiar things. But I was also thinking about the way the past survives in artifacts and ideas. The ship survives in the painting and in photographs of the painting.
Writing about, and thinking about, superhero media has made me very sensitive to the underlying levels of hypocrisy in a lot of the Marvel/DC runs—like, take the Daredevil series on Netflix. Daredevil is all “but I don’t kill people zomg!” while, you know, throwing enemies into walls and off stairwells and generally inflicting massive head trauma on so. many. people. Physical violence leaves damages; when I see the “heroes” reacting hyperviolently and then claiming they are doing good, it bothers me.
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My daughter said, “I used to always wish that I’d find a magical portal or whatever, but then I started wondering what happened after. How do you have a normal life after you cut off a monster’s head and become Empress? It would make it very hard to do your social studies homework, I think. And also, since when is being eleven any indication of leadership qualities? That just seems like a bad policy.” Her brother is, after all, eleven.