Advertisement
Produced by Skyboat Media, and under the direction of Grammy and Audie award-winning narrator and producer Stefan Rudnicki, our podcast features audiobook-style recordings of four of the eight stories we publish each month in Lightspeed, released more or less on a weekly basis. To subscribe (free!) to the podcast, you'll either need our podcast RSS feed and put that into your favorite podcast client, or you can just subscribe via iTunes. All of our podcasts from Lightspeed: Year One are also available as an audiobook from Audible.com and Downpour.com.
The men knew before she did. Before this boy, before sophomore year, before even her twelfth birthday, they had jostled her on the sidewalk and hooted from cars, searching for something just past her skin. But now, with her panties stripped off and the boy’s eyes on her, Jackie felt a strange prickling. A warning pacing behind her ribs. A mouth about to drip.
The thaw comes early. Though I’ve been held here for dreams upon dreams, I am not ready. Shoals of us overwinter in the ice. As our bodies slow to quiescence, the ice resonates between us: signals that would be battered unintelligible by moving water.
Mark was aware that he looked more dead than alive, so he did not have high expectations for his first, and last, night on the town. He had fled the hospital’s cancer ward fuelled by stolen methamphetamines, wearing stolen clothes, and armed with just his credit card.
“Attention, please,” the Manager says over the office intercom. “The Auditor’s shuttle is scheduled to dock in one hour. I repeat, one hour. Warehouse staff, please ensure that all inventory is in place.”
My ghost bled through the shadows, an icy wind stirring the leaves. Eyes like candle flames shuddering and crescent moon mouth, it had found me as a girl and never let go—the only thing that was really mine. It led me to an overgrown graveyard, pelts of moss eating like acid through fallen tombstones. In the haze of tree-shadowed dark, huge stone towers loomed in the distance, wrapped by vine and tree limb.
The woman’s name was lost in The Fall, as was so much else we once thought vital—seasons, rivers, uncharred air—but her image persists, has become indelible. The giant wall of white upon which her travesties are projected once yearly has become a mecca for all in this, our new world. The desert for miles around is littered with the bleached bones of those who would gaze upon her bare body, to confirm for themselves and their outposts that one such as her ever actually existed.
By the time he went to reclaim himself, it was too late. As a young man, he’d realized there was a power to being alone. Relationships were tethers that held you back, sapped you of strength, of will. People were poison. And not all poisons were bad; sometimes the toxic taste, the caustic kiss, was a good thing. But too much killed you all the same. No matter how alive it made him feel in the moment, he knew that in the end, it would cost him.
The Starsinger, the Starsinger, the Starsinger, he sings. His histories have long been recorded—in every pit stop he has visited. In every station he has stayed. It may be just a minute of the traffickers slapping the Bini out of his mouth, or them telling him to recite the Western verse, or them colonizing his heart. But he remembers. Oh, the Starsinger remembers.
In its dreams, the thing they call “Kos” sleeps deep and drowned in the clutch of the ice-cold trenches, where the pressure is a loving clasp around its arms and tail, where it is near-disintegrate, more spirit than substance, more magic than meat. Then it wakes up in the bathtub. The deoxygenated water filters tepidly through Kos’s gills. It gasps, coughing through a windpipe and lungs that weren’t meant to be so exercised, even with the “humidifier” that pumps clouds of soft wet air into the bathroom. Irina had set it up the fifth night, when Kos had started coughing lacy bright red sprays of blood.
In City of One, the object is to avoid being seen. You begin at a random point in the city. If you are seen, you die. You cannot leave the city. If you try, you die. Your wellbeing starts at 1 out of 100. At 0, you die. To maintain your well-being, steal food, water, and shelter. If caught, you die. Remaining unseen does not increase your well-being. Sleep does not increase your well-being or decrease your exhaustion. Remember: You are surrounded.
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement
Advertisement