Fantasy
The Suicide’s Guide to the Absinthe of Perdition
You cannot stop an angel who truly wants to fall. This is the first thing you learn in Pandemonium. The second thing you learn in Pandemonium is how to drink absinthe.
You cannot stop an angel who truly wants to fall. This is the first thing you learn in Pandemonium. The second thing you learn in Pandemonium is how to drink absinthe.
“Return fire!” the colonel ordered, bleeding on the deck of her ship, ferocity raging in her nonetheless controlled voice.
The black bird on the mantelpiece spoke. It said, “Nevermore.” Spade looked up from cleaning his pistol. The bird, a black-lacquered falcon statuette, sat motionless. Spade placed the pistol down on his desk, pushed back the brim of his hat, and approached the bird. “You talk?”
Kartar is forty and Irish-Indian, blessed with an avatar’s sterling looks and a fine deep voice that lingers in the mind. He wears a piezosuit and a bright necktie advertising Chinese wetware, and a new Everything is pinned to his broad lapel. Twenty admirers have him surrounded.
My father’s family had produced monster-finders for several generations. More monsters were being born than ever; our village didn’t have enough finder power to track them all, or shaper power to abort or fix those the finders found, so many people had to offer their offspring to the Shadows.
“The first samovar, the silver one at the end with the little bird perched atop the key, is filled to the top with Life,” she says, “freshly brewed each morning at sunrise exactly. A few drops will perk up most customers on a Monday morning, to be sure. And most of them need it, don’t you think?”
Somewhere above, hidden by the eternal clouds of Wesker’s World, a thunder rumbled and grew. Trader Garth stopped suddenly when he heard it, his boots sinking slowly into the muck, and cupped his good ear to catch the sound. It swelled and waned in the thick atmosphere, growing louder.
From the very beginning—which I guess is also the middle and the end if you follow the bent logic involved and arrange events by some scheme other than strict chronological order—there was never any way of knowing which one of us, my wife or myself, was going to invent time travel.