The dragon-horse awakens in moonlight. Drops of cold dew drip onto his forehead, where they meander down the curve of his steel nose. Plink. He struggles to open his eyes, rusted eyelids grinding against eyelashes. A pair of silvery specks reflects from those giant, dark red pupils. At first, he thinks it’s the moon, but a careful examination reveals it to be a clump of white flowers blooming vibrantly in a crack in the cement, irrigated by the dew dripping from his nose.

School was canceled; the governor announced a state of emergency in anticipation of the storm, and told everyone to stay home or go home early. “We don’t need to have cars stuck on the highways. Be safe.” Manoj’s foster mother was complaining again. “The landlord said he’s going to fine us if you don’t take that blanket down.” She was referring to the woven rectangle hanging over his window: dark blue, with red and yellow concentric diamonds formed from the weft yarn.

There once were two sisters, close in age, who had been birthed and loved and became stooped and wise and were now old women together. They lived in a house in a courtyard surrounded by a tall stone wall, meant to keep out most children and all men, though starlings made their nests in the boughs of the elms. One day, the king—an old man himself—was walking by the wall when he heard the lilting voices of the sisters, who had become accomplished singers over their long years.

Always had the sages known that they would come. The first princess, in her bed of jewels and smelted gold, had dreamt of them; dreamt their terrible faces, their terrible claws, their endless hunger that is greater than the mountain and deeper than the deepest-diving seam. She had wept in the night, to have such dreams, and some say that her death—as the deaths of all princesses since her—came hard and early, because she could not know the peace of slumber.