It starts as a twitch. Or that’s what I thought it was. At first. A jitter in my thumb. Then it’s in my wrist, a jolt of energy running up my arm. All at once, too fast to know exactly where it had come from. There it is, I would start to think, but it was over before I had finished the thought, and there I was, gun in hand, smoke weeping from the barrel.

Long ago, a woman in Bavaria had to peel some potatoes. She had to do the washing. She had to check on the soup that simmered on the stove and was never quite thick enough. She had to watch her smallest child where it lay wrapped near the fire and sweating, and watch her oldest daughter tying back her hair to look finer when she went to trade the day’s milk for some woolens from the merchant with the unmarried son.

In a dusty, antique-littered back room of the loft on St. Mark’s Place, a room with walls the color of ripe cranberries, Hannah stands naked in front of the towering mahogany-framed mirror and stares at herself. No—not her self any longer, but the new thing that the man and woman have made of her. Three long hours busy with their airbrushes and latex prosthetics.

He was in the library. It was quiet. No guns. No mud. He could crawl in peace, as long as he didn’t make any noise. Mrs. Dientz, the librarian, wouldn’t allow noise. Ed was worried that he would get dirt in his wound, and it would get infected. The library is full of fungus, like a locker room: You can get athlete’s foot in places you would never put your feet.

Frederic Paschel, a wine merchant who lived in the town of Sylah in the valley of the river Dordogne, was left a widower when his two sons, Gilbert and Benedict, were in their infancy. The younger son, Benedict, was as dutiful as any father could ever have desired; he was amiable and pliable, ready and willing to be molded in the image of his sire as a respectable tradesman. Gilbert, on the other hand, was surly and rebellious.