Science Fiction & Fantasy

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Podcasts

Produced by Skyboat Media, and under the direction of Grammy and Audie award-winning narrator and producer Stefan Rudnicki, our podcast features audiobook-style recordings of four of the eight stories we publish each month in Lightspeed, released more or less on a weekly basis. To subscribe (free!) to the podcast, you'll either need our podcast RSS feed and put that into your favorite podcast client, or you can just subscribe via iTunes. All of our podcasts from Lightspeed: Year One are also available as an audiobook from Audible.com and Downpour.com.

 

 

Fantasy

The Noon Witch Goes to Sound Planet

The Noon Witch is not a cat person. She likes the color purple, hates police procedurals, loves breakfast foods, thinks scented bath products and anchovy pizza are gross. Hates platform shoes. Hates walnuts in brownies. Used to like the electropop group all the girls at school like, until they used too much synth on their latest album, so now she hates them too. The Noon Witch isn’t an overcritical person. She’s just at that difficult age when you’re desperate to figure out who you are, so you lean too much on your likes and dislikes to try to cobble together what you think should be your personality.

Science Fiction

Beyond the Shore

Nobody noticed the first few. They walked. One by one, in the beginning. Isolated instances. On every continent, mid-meal, mid-shower, mid-work, mid-fuck, right out the door of a pulled-up car in the middle of a freeway—ordinary people turned their backs on their ordinary lives and walked. They walked, shedding their hair in clumps along the way, sloughing their skin in translucent sheets to reveal pale grey beneath. On bleeding feet they walked down highways and lanes and trails, unerringly taking the path of least resistance to the nearest coast. They crossed the sand. The sea cooled their aching calves. Still, they walked.

Fantasy

The Dirty Golden Yellow House

On the first floor of a Colonial-style house constructed last century out of planks of old growth cedar, a monster is dragging a woman’s husband from room to room. The specific path this monster takes will be evident the next morning from the gashes in the wood floors and the splattering of the husband’s innards upon the plaster walls. Blood on the ceiling. The woman herself is hiding in the upstairs bedroom in her closet, face buried in the nylon hems of her patterned dresses, hands to her ears, a washcloth between her teeth so she can bite down hard on something that isn’t her tongue.

Science Fiction

Primordial Soup and Salad

Wallace Englund, captain of the United Space Fleet vessel Caroline, stared out his private office window at the only view he’d had for nearly four years—outer space, in all its dull glory—and wondered why he couldn’t get a decent cheeseburger. Behind him were the last three attempts at a burger made by the ship’s food replicator. The first looked okay until Wallace bit into it and discovered a soft, gelatinous interior that still tasted like a cheeseburger but whose texture made it impossible to ingest. The second was visibly worse: the left side of the burger looked like brown gravy, and not in a good way.

Fantasy

Her Five Farewells

When the Asphodel Queen decides she’ll die to save our people from her ex-husband’s tyranny, she commands me to build her a coffin, the very first in our world’s history. Her ageless face of ivory and emerald is water on a windless day; her stillness betrays nothing of her decision. As the Senate screams in sorrow, I am held by her imperial glare, the enormity of my task sinking in like sunlight on skin. “Me, Your Majesty? I’m but a humble craftsman.” Her voice rises above the growing din, as panic races through data-vines and across the crystal-network.

Science Fiction

The CRISPR Cookbook: A Guide to Biohacking Your Own Abortion in a Post-Roe World

If you’re reading this—on some godforsaken imageboard, or dog-eared book page, or in encrypted base pairs sequenced off 3D-printed oligos—you’re probably grappling with a pretty tough decision right now. Breathe. I’m not judging you. I know how it goes. You tried your best but nothing’s infallible, or you slipped up one night, or he just straight-up went, your biological clock’s ticking, and hacked your birth control, knowing once it happens you won’t have a choice. The second his sperm enters your egg, he’s done, back to his star-studded career cranking out Science and Cell papers.

Fantasy

The Clockmaker and His Daughter

Gaza looked down at the city of Nyss, surveying his creation. He thought it was perfect. Well, almost. In the city centre stood several griots spinning a tale to a captive audience, their camels and brightly-coloured caravans sheltering in the shade of palm trees. The griots should be dusty—after all they had travelled some distance, spent several months weathering the harsh terrain of the desert. As it was they looked too pristine.

Science Fiction

My Future Self, Refused

This much was clear. At some point in my future, I would have access to a time machine. This was a ridiculous sentence and a tragically irrelevant concern while my wife Judi was on the floor and possibly dying, but there it was: nonsense, in the presence of death. This was the central tragic absurdity of the day. My future self had materialized in the corner of the room, as solid as a blow to the face, and it was not even my most important concern.

Fantasy

Hungry as the Mirror Bright

She was born a low and needful thing. Hatched down in the tannin dark, dead leaf pillowed, gnashing her mouth in the loam. Burrowing deep where shed buttons and broken boot laces lay. Alone and babbling, prowling for worm-meat and snail-slick in the wet ground rot. Fattened on maggot and grub, she hardened white and lay sarcophagal. Then a second birth, splitting free and strange in new skin.

Science Fiction

Critical Mass

Leo Gregory is losing altitude. He coasts on the thermals of a legacy fading behind him: a documentary here, a retrospective there, some greatest-hits collection down in the corner for the dilettantes. Oh, the work has lost none of its grandeur: his buildings remain timeless, his objets d’art still serve up facets upon layers from each new angle.