Horses were the most unreliable, most unfortunate creatures ever to walk the Earth. And yet, Ricardo was immensely sad that his was gone. He and his pretty tamed Mustang mare, Bandita, had been back and forth across the west for six years, and now she’d taken a bad step—a hole, a sharp rock, he hadn’t been able to figure out which—fallen down a hillside, and broken not one but two legs. Traveling on horseback through the Rockies at night, accidents happened.

Merrinvale was a town that needed witches. Most places do—witches, after all, are the ones who make sure the small and large magics work. Things like the rising of bread and the turning of the seasons and safe passage through birth and death, all the work of witches. Some places accept this, and so they welcome their witches the same as they welcome any others and life moves in harmony. Merrinvale was not one such place.

Het had eaten nothing for weeks but bony, gape-mawed fish—some of them full of neurotoxin. She’d had to alter herself so she could metabolize it safely, which had taken some doing. So when she ripped out the walsel’s throat and its blood spurted red onto the twilit ice, she stared, salivary glands aching, stomach growling. She didn’t wait to butcher her catch but sank her teeth into skin and fat and muscle, tearing a chunk away from its huge shoulder.

Once upon a time, in another part of now, there was a girl. She was graceful and talented and pretty as dawn—though no more than she ought to be—and she was lucky enough to be the daughter of a very minor king, rich but provincial, with few real responsibilities. She was delighted with life, and with her own way of living in it. She loved stories, and music, and most especially, painting. She loved to create small strange worlds on paper and had set up a gallery in several rooms of her home for her art: the royal version of the family refrigerator.