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Isabelle Winters once saw a fairy. For real. It was little, like a hummingbird, with a hummingbird’s frantic wings, and it was moving through the garden, shaking the rosebuds open for the bees. She’s just told this to Polly, though not exactly in those words. The sarcastic for real, for instance, is all Polly. If there was ever a girl primed to see fairies, Isabelle Winters is that girl.
The Bone-Stag walks at midwinter, sharp-antlered, hard-hoofed. Deep white snow spreads under deep black sky. Cold air slices lungs; rivers stand as stone. Over cresting drifts comes the Bone-Stag, leaving no mark of his passing. Down in the village, they draw their curtains fast against him. They bolt tight their doors. Garlic at the lintels and holly upon the sills.
The chime above my shop door rings. It heralds a young woman wearing a head wrap boasting a network of silvery constellations on indigo, interspersed with the occasional yellow-gold moon. The wrap itself is made of silk—not the finest grade, mind you, but sufficient to conceal what she must see as a fault. None of her hair is visible, but the contorted celestial bodies show the fabric is at the end of its tether.
That notorious ship that sailed to the wretched isle known as Neverland under the leadership of one James, self-styled Jas., Cook, called the Jolly Roger, has most naturally been a subject of intense study among historians. Yet even the most meticulous of these scholars have often failed to note that among that dreadful crew sailed at least one woman, Gerta, or, as she named herself, the Great Gerta, or, as she was named by others, Gerta the Girthy.
It doesn’t take long. She has few earthly possessions and her travel options are limited. There is a train that runs west through the Swamp Forest to the coast, but everyone knows and fears the old witch here, and on moving trains, she can cause quite a commotion. “Do not eat my children, Baba Yaga!” people cry when she steps onto the dining car. “Oh, please, have mercy! Do not use your pestle to grind up my bones!” She sits quietly in a booth, minding her own business.
Dear Mr. Quilas: This morning, I began to read your new collection of essays, Forgotten Lives. I’ve enjoyed a number of your books previously, but this collection held a particular interest for me. Aned Heast, the subject of your third essay, “A Refuge in Juar,” held a personal interest and I looked forward to reading your piece about him. Sadly, I was disappointed. Your essay was riddled with misinformation and errors. I’m sure you do not wish to be told that. Few writers want to be told they are wrong.
My mother used to tell me we came from the matriarchal vampiric line that had been traced farther back than Queen Elizabeth. She only told me these things after a seizure. Many people with epilepsy talk about how, after a seizure, strange memories pop up—small but suddenly vibrant details; my mother would recall the small vibrant details of our collective vampiric past. What kind of mother would do this? Mine. And, when I was little, I loved her for it.
Your guidebook writers are—alas—very familiar with booking tickets in search of love. How many of us haven’t packed our bags for the new continent with this foolish goal in mind? We’ve stumbled through our travels, searching cities and villages for romance. In cafés, opera houses, and hotel rooms, we felt acutely alone. Why, even the most exquisite restaurants were dulled by the empty chair across from us.
Her skin was sore and feverish under her fingers, as it always was a few days after she came back from the dead. Candice unwrapped the bandages around her head and peeled off the itchy scabs behind her ears. She shuddered at the memory of her regeneration: the charred bones snapping back into place, the raw skin stretching over exposed nerves, the first pump of blood searing like hot acid through her reborn body.
Time is best described as the thing that must crawl by before even the most unlikely events finally get around to happening. A lot of it had passed in the little village we now visit, drifting down its cobblestoned streets like loose papers carried away by the wind, before the most unlikely of all developments had finally occurred. Samael, the junk collector, had fallen in love. Nobody had ever expected this, in large part because Samael was as dull and unimaginative a man who had ever lived.
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