Science Fiction
GaaS
“How long do I have to have my membership with Juno before he proposes?”
“Well, is he subscribed, too?”
“Lifetime with Venus.”
“Girl.”
“How long do I have to have my membership with Juno before he proposes?”
“Well, is he subscribed, too?”
“Lifetime with Venus.”
“Girl.”
Can someone get the doors? Thanks. Please remember we’re on an honor system for chairs—if you’ve eaten today, please leave them for someone who hasn’t. We don’t need another fainting incident. First of all, if you’re looking for a technical look at restoring and reconstructing lost Backwards Man episodes, that’s Greg Bakun’s panel tomorrow morning at 9:30, which I really recommend checking out if you’re not too hungover. This panel is about the recent recovery of clips of “The Goldenrod Conspiracy,” the changes to the story that arise from them, and what it means that every single surviving frame of “The Goldenrod Conspiracy” comes from censorship board clips.
I know what you’re going to say. That I got what I deserved. Vanity of vanities, all is vanity. Nothing like kicking someone when they’re down, eh? But here I am, dressed in all my mistakes. Huddling inside a house I don’t dare to leave.
It is the year 3048 and you still hate your job. In the past eight hours since landing on this wasteland planet, you fended off two rogue mechas, hacked the building’s access code, and decapitated a droid.
We have seen you come before. We have always resisted. We will always resist. The first aliens came as conquerors, ready to crush us, ready to destroy us. We went to ground, we hid. We fought. We picked away at them, bit by bit.
Buddy and I abandoned our hydrogen nomad at the edge of the wastelands before trudging around the rusted chain-link perimeter of the abandoned fairgrounds, waiting for the blast of steam and guttural earthly moan to escape.
The simulation blossomed around Nadja Gavrić like a hypercube unpacking itself into three dimensions. The plain metal floors of the Roses’ cargo bay turned the shiny white of faux marble. The walls closed in, became a circular chamber. Display cases sprang up around the perimeter. Nadja stumbled backward when her right arm suddenly joined an exhibit of Cometborne funerary instruments.
mãe, There are few moments that I remember with clarity. From those early days, I recall mostly a vast, pervading numbness. Profound dissociation. I remember Salt. I remember Hog. At night, I would curl between them. With my eyes closed, I would try to see them as they were just in that moment. I would block out what I knew would be.
Jeanne Calment said she was 122, but there were questions. The records from 1875 were shaky, some of them deliberately burned. Tanaka Kane, 119, was on firmer ground, and then there were loads of others in the hundred-teens. For some time 120 seemed to be a firm limit.
If a robot stands alone in a field, staring into the forlorn distance as it obeys the last order it was given by a human, that order being, “Don’t move until we come back for you,” which it can remember uttered with a cruel sneer by a man who has taken a cruel dislike for it . . .